Titulo:
Architecture and Chiasmus. The resonance of landscape
.
Guardado en:
1794-7111
2462-8115
10
2013-01-01
183
198
Revista Kepes - 2015
info:eu-repo/semantics/openAccess
http://purl.org/coar/access_right/c_abf2
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oai:revistasojs.ucaldas.edu.co:article_511 |
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Architecture and Chiasmus. The resonance of landscape Architecture and Chiasmus. The resonance of landscape Abstract: Focusing on the presence of Nature, regardless of scale or dimension (a park, a small garden, or a tree), and regarding the individual inhabiting a house or a room, his dwelling, we intend to discuss how landscape implies in architecture the assumption of space as simultaneously ‘outside’ and ‘inside’. The theoretical framework we rely upon in this issue is Phenomenology, namely based on Merleau-Ponty‘s approach to perception (Phénoménologie de la Perception [The Phenomenology of Perception], L’Oeil et l’Esprit [Eye and Mind], Le Visible et l’Invisible [The Visible and the Invisible]), and the phenomenological understanding of architecture (through Steven Holl, Peter Zumthor, Juhani Pallasmaa, David Seamon). Within this scope, we debate to what extent Merleau-Ponty’s L’Entre-deux (In-Between), and subsequent ontology of the sensible, deals with landscape as a category towards the constitution of a subjective experience of space and time. The ‘outside’ is not the world exercising the ego possibilities, but the primordial experience involving the individual and the world. Iconic examples as the Fallingwater House (Frank Lloyd Wright), the Glass House (Lina Bo Bardi), and the Farnsworth House (Mies van der Rohe) are employed to interpret landscape’s contribution towards the understanding of a descriptive ontology of the visible-invisible, and to unfold the meaning of Chiasmus. Pombo, Fátima . Architecture Chiasmus invisible – visible landscape. Architecture Chiasmus invisible – visible landscape 10 9 Núm. 9 , Año 10 : Enero - Diciembre 2013 Artículo de revista Journal article 2013-01-01T00:00:00Z 2013-01-01T00:00:00Z 2013-01-01 application/pdf Universidad de Caldas Kepes 1794-7111 2462-8115 https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/511 https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/511 eng https://creativecommons.org/licenses/by-nc-sa/4.0/ Revista Kepes - 2015 183 198 Benediktsson, K. & Lund, Katrín A. (Eds.). (2010). Conversations with Landscape,Surrey and Burlington. Ashgate Publishing. Bo B., Lina & Carvalho Feraz, M. Casa de Vidro/The Glass House. Unpaged. Caruso, A. (2008). The feeling of things. Barcelona: Ediciones Polígrafa. Deleuze, Giles & Parnet, Claire. (1996). Dialogues. Paris: Flammarion. Edensor, T. (2010). “Aurora landscapes: affective atmospheres of light and dark”. In: Karl Benediktsson and Katrín Anna Lund (Eds.). Conversations with Landscape.Farnham: Ashgate. Guedes, J. (1992). “Lembranças de Lina Bo Bardi”. In: Revista Caramelo, No. 4. São Paulo. Holl, S. et al. (2008). Questions of perception. Phenomenology of Architecture.San Francisco: William Stout San Francisco: William Stout Publishers. Merleau-Ponty, M. (1945). Phénoménologie de la Perception. Paris: Gallimard. ________. (1964). L’Oeil et l’Esprit. Paris: Gallimard. ________. (1988). Le Visible et l’Invisible. Paris:Gallimard. Pallasmaa, J. (2005). The eyes of the skin. Architecture and the senses. Chichester: John Wiley & Sons Ltd. Reed, C. (Ed.). (1996). Not at Home. The suppression of domesticity in modern Art and Architecture. London: Thames and Hudson. Von Fennig Wrobleski, D. (2009). “A little house in the country. The farnsworth house”. In: The Chicago Literary Club, February 23. Zumthor, P. (2010a). Atmospheres: architectural environments, surrounding objects. Basel: Birkhäuser. _______ (2010b). Thinking architecture. Basel: Birkhäuser. https://revistasojs.ucaldas.edu.co/index.php/kepes/article/download/511/436 info:eu-repo/semantics/article http://purl.org/coar/resource_type/c_6501 info:eu-repo/semantics/publishedVersion http://purl.org/coar/version/c_970fb48d4fbd8a85 info:eu-repo/semantics/openAccess http://purl.org/coar/access_right/c_abf2 Text Publication |
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UNIVERSIDAD DE CALDAS |
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Colombia |
| collection |
Kepes |
| title |
Architecture and Chiasmus. The resonance of landscape |
| spellingShingle |
Architecture and Chiasmus. The resonance of landscape Pombo, Fátima . Architecture Chiasmus invisible – visible landscape. Architecture Chiasmus invisible – visible landscape |
| title_short |
Architecture and Chiasmus. The resonance of landscape |
| title_full |
Architecture and Chiasmus. The resonance of landscape |
| title_fullStr |
Architecture and Chiasmus. The resonance of landscape |
| title_full_unstemmed |
Architecture and Chiasmus. The resonance of landscape |
| title_sort |
architecture and chiasmus. the resonance of landscape |
| title_eng |
Architecture and Chiasmus. The resonance of landscape |
| description_eng |
Abstract: Focusing on the presence of Nature, regardless of scale or dimension (a park, a small garden, or a tree), and regarding the individual inhabiting a house or a room, his dwelling, we intend to discuss how landscape implies in architecture the assumption of space as simultaneously ‘outside’ and ‘inside’. The theoretical framework we rely upon in this issue is Phenomenology, namely based on Merleau-Ponty‘s approach to perception (Phénoménologie de la Perception [The Phenomenology of Perception], L’Oeil et l’Esprit [Eye and Mind], Le Visible et l’Invisible [The Visible and the Invisible]), and the phenomenological understanding of architecture (through Steven Holl, Peter Zumthor, Juhani Pallasmaa, David Seamon). Within this scope, we debate to what extent Merleau-Ponty’s L’Entre-deux (In-Between), and subsequent ontology of the sensible, deals with landscape as a category towards the constitution of a subjective experience of space and time. The ‘outside’ is not the world exercising the ego possibilities, but the primordial experience involving the individual and the world. Iconic examples as the Fallingwater House (Frank Lloyd Wright), the Glass House (Lina Bo Bardi), and the Farnsworth House (Mies van der Rohe) are employed to interpret landscape’s contribution towards the understanding of a descriptive ontology of the visible-invisible, and to unfold the meaning of Chiasmus.
|
| author |
Pombo, Fátima . |
| author_facet |
Pombo, Fátima . |
| topicspa_str_mv |
Architecture Chiasmus invisible – visible landscape. |
| topic |
Architecture Chiasmus invisible – visible landscape. Architecture Chiasmus invisible – visible landscape |
| topic_facet |
Architecture Chiasmus invisible – visible landscape. Architecture Chiasmus invisible – visible landscape |
| citationvolume |
10 |
| citationissue |
9 |
| citationedition |
Núm. 9 , Año 10 : Enero - Diciembre 2013 |
| publisher |
Universidad de Caldas |
| ispartofjournal |
Kepes |
| source |
https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/511 |
| language |
eng |
| format |
Article |
| rights |
https://creativecommons.org/licenses/by-nc-sa/4.0/ Revista Kepes - 2015 info:eu-repo/semantics/openAccess http://purl.org/coar/access_right/c_abf2 |
| references_eng |
Benediktsson, K. & Lund, Katrín A. (Eds.). (2010). Conversations with Landscape,Surrey and Burlington. Ashgate Publishing. Bo B., Lina & Carvalho Feraz, M. Casa de Vidro/The Glass House. Unpaged. Caruso, A. (2008). The feeling of things. Barcelona: Ediciones Polígrafa. Deleuze, Giles & Parnet, Claire. (1996). Dialogues. Paris: Flammarion. Edensor, T. (2010). “Aurora landscapes: affective atmospheres of light and dark”. In: Karl Benediktsson and Katrín Anna Lund (Eds.). Conversations with Landscape.Farnham: Ashgate. Guedes, J. (1992). “Lembranças de Lina Bo Bardi”. In: Revista Caramelo, No. 4. São Paulo. Holl, S. et al. (2008). Questions of perception. Phenomenology of Architecture.San Francisco: William Stout San Francisco: William Stout Publishers. Merleau-Ponty, M. (1945). Phénoménologie de la Perception. Paris: Gallimard. ________. (1964). L’Oeil et l’Esprit. Paris: Gallimard. ________. (1988). Le Visible et l’Invisible. Paris:Gallimard. Pallasmaa, J. (2005). The eyes of the skin. Architecture and the senses. Chichester: John Wiley & Sons Ltd. Reed, C. (Ed.). (1996). Not at Home. The suppression of domesticity in modern Art and Architecture. London: Thames and Hudson. Von Fennig Wrobleski, D. (2009). “A little house in the country. The farnsworth house”. In: The Chicago Literary Club, February 23. Zumthor, P. (2010a). Atmospheres: architectural environments, surrounding objects. Basel: Birkhäuser. _______ (2010b). Thinking architecture. Basel: Birkhäuser. |
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info:eu-repo/semantics/article |
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http://purl.org/coar/resource_type/c_6501 |
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info:eu-repo/semantics/publishedVersion |
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Text |
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2013-01-01 |
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2013-01-01T00:00:00Z |
| date_available |
2013-01-01T00:00:00Z |
| url |
https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/511 |
| url_doi |
https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/511 |
| issn |
1794-7111 |
| eissn |
2462-8115 |
| citationstartpage |
183 |
| citationendpage |
198 |
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https://revistasojs.ucaldas.edu.co/index.php/kepes/article/download/511/436 |
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