Titulo:
Architecture and Chiasmus. The resonance of landscape
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1794-7111
2462-8115
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2013-01-01
183
198
Revista Kepes - 2015
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Architecture and Chiasmus. The resonance of landscape landscape. Pombo, Fátima . Architecture Chiasmus invisible – visible Universidad de Caldas Kepes 9 Núm. 9 , Año 10 : Enero - Diciembre 2013 Artículo de revista 10 Chiasmus Deleuze, Giles & Parnet, Claire. (1996). Dialogues. Paris: Flammarion. https://creativecommons.org/licenses/by-nc-sa/4.0/ Bo B., Lina & Carvalho Feraz, M. Casa de Vidro/The Glass House. Unpaged. Benediktsson, K. & Lund, Katrín A. (Eds.). (2010). Conversations with Landscape,Surrey and Burlington. Ashgate Publishing. Abstract: Focusing on the presence of Nature, regardless of scale or dimension (a park, a small garden, or a tree), and regarding the individual inhabiting a house or a room, his dwelling, we intend to discuss how landscape implies in architecture the assumption of space as simultaneously ‘outside’ and ‘inside’. The theoretical framework we rely upon in this issue is Phenomenology, namely based on Merleau-Ponty‘s approach to perception (Phénoménologie de la Perception [The Phenomenology of Perception], L’Oeil et l’Esprit [Eye and Mind], Le Visible et l’Invisible [The Visible and the Invisible]), and the phenomenological understanding of architecture (through Steven Holl, Peter Zumthor, Juhani Pallasmaa, David Seamon). Within this scope, we debate to what extent Merleau-Ponty’s L’Entre-deux (In-Between), and subsequent ontology of the sensible, deals with landscape as a category towards the constitution of a subjective experience of space and time. The ‘outside’ is not the world exercising the ego possibilities, but the primordial experience involving the individual and the world. Iconic examples as the Fallingwater House (Frank Lloyd Wright), the Glass House (Lina Bo Bardi), and the Farnsworth House (Mies van der Rohe) are employed to interpret landscape’s contribution towards the understanding of a descriptive ontology of the visible-invisible, and to unfold the meaning of Chiasmus. Architecture Journal article invisible – visible landscape application/pdf Inglés https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/511 Text Revista Kepes - 2015 Publication Architecture and Chiasmus. The resonance of landscape info:eu-repo/semantics/openAccess http://purl.org/coar/access_right/c_abf2 Reed, C. (Ed.). (1996). Not at Home. The suppression of domesticity in modern Art and Architecture. London: Thames and Hudson. Guedes, J. (1992). “Lembranças de Lina Bo Bardi”. In: Revista Caramelo, No. 4. São Paulo. Holl, S. et al. (2008). Questions of perception. Phenomenology of Architecture.San Francisco: William Stout San Francisco: William Stout Publishers. ________. (1964). L’Oeil et l’Esprit. Paris: Gallimard. http://purl.org/coar/version/c_970fb48d4fbd8a85 ________. (1988). Le Visible et l’Invisible. Paris:Gallimard. Pallasmaa, J. (2005). The eyes of the skin. Architecture and the senses. Chichester: John Wiley & Sons Ltd. Edensor, T. (2010). “Aurora landscapes: affective atmospheres of light and dark”. In: Karl Benediktsson and Katrín Anna Lund (Eds.). Conversations with Landscape.Farnham: Ashgate. Merleau-Ponty, M. (1945). Phénoménologie de la Perception. Paris: Gallimard. Von Fennig Wrobleski, D. (2009). “A little house in the country. The farnsworth house”. In: The Chicago Literary Club, February 23. Zumthor, P. (2010a). Atmospheres: architectural environments, surrounding objects. Basel: Birkhäuser. _______ (2010b). Thinking architecture. Basel: Birkhäuser. info:eu-repo/semantics/article Caruso, A. (2008). The feeling of things. Barcelona: Ediciones Polígrafa. info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 2013-01-01T00:00:00Z 183 https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/511 2462-8115 https://revistasojs.ucaldas.edu.co/index.php/kepes/article/download/511/436 2013-01-01T00:00:00Z 2013-01-01 1794-7111 198 |
institution |
UNIVERSIDAD DE CALDAS |
thumbnail |
https://nuevo.metarevistas.org/UNIVERSIDADDECALDAS/logo.png |
country_str |
Colombia |
collection |
Kepes |
title |
Architecture and Chiasmus. The resonance of landscape |
spellingShingle |
Architecture and Chiasmus. The resonance of landscape Pombo, Fátima . landscape. Architecture Chiasmus invisible – visible Chiasmus Architecture invisible – visible landscape |
title_short |
Architecture and Chiasmus. The resonance of landscape |
title_full |
Architecture and Chiasmus. The resonance of landscape |
title_fullStr |
Architecture and Chiasmus. The resonance of landscape |
title_full_unstemmed |
Architecture and Chiasmus. The resonance of landscape |
title_sort |
architecture and chiasmus. the resonance of landscape |
title_eng |
Architecture and Chiasmus. The resonance of landscape |
description_eng |
Abstract: Focusing on the presence of Nature, regardless of scale or dimension (a park, a small garden, or a tree), and regarding the individual inhabiting a house or a room, his dwelling, we intend to discuss how landscape implies in architecture the assumption of space as simultaneously ‘outside’ and ‘inside’. The theoretical framework we rely upon in this issue is Phenomenology, namely based on Merleau-Ponty‘s approach to perception (Phénoménologie de la Perception [The Phenomenology of Perception], L’Oeil et l’Esprit [Eye and Mind], Le Visible et l’Invisible [The Visible and the Invisible]), and the phenomenological understanding of architecture (through Steven Holl, Peter Zumthor, Juhani Pallasmaa, David Seamon). Within this scope, we debate to what extent Merleau-Ponty’s L’Entre-deux (In-Between), and subsequent ontology of the sensible, deals with landscape as a category towards the constitution of a subjective experience of space and time. The ‘outside’ is not the world exercising the ego possibilities, but the primordial experience involving the individual and the world. Iconic examples as the Fallingwater House (Frank Lloyd Wright), the Glass House (Lina Bo Bardi), and the Farnsworth House (Mies van der Rohe) are employed to interpret landscape’s contribution towards the understanding of a descriptive ontology of the visible-invisible, and to unfold the meaning of Chiasmus.
|
author |
Pombo, Fátima . |
author_facet |
Pombo, Fátima . |
topicspa_str_mv |
landscape. Architecture Chiasmus invisible – visible |
topic |
landscape. Architecture Chiasmus invisible – visible Chiasmus Architecture invisible – visible landscape |
topic_facet |
landscape. Architecture Chiasmus invisible – visible Chiasmus Architecture invisible – visible landscape |
citationvolume |
10 |
citationissue |
9 |
citationedition |
Núm. 9 , Año 10 : Enero - Diciembre 2013 |
publisher |
Universidad de Caldas |
ispartofjournal |
Kepes |
source |
https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/511 |
language |
Inglés |
format |
Article |
rights |
https://creativecommons.org/licenses/by-nc-sa/4.0/ Revista Kepes - 2015 info:eu-repo/semantics/openAccess http://purl.org/coar/access_right/c_abf2 |
references_eng |
Deleuze, Giles & Parnet, Claire. (1996). Dialogues. Paris: Flammarion. Bo B., Lina & Carvalho Feraz, M. Casa de Vidro/The Glass House. Unpaged. Benediktsson, K. & Lund, Katrín A. (Eds.). (2010). Conversations with Landscape,Surrey and Burlington. Ashgate Publishing. Reed, C. (Ed.). (1996). Not at Home. The suppression of domesticity in modern Art and Architecture. London: Thames and Hudson. Guedes, J. (1992). “Lembranças de Lina Bo Bardi”. In: Revista Caramelo, No. 4. São Paulo. Holl, S. et al. (2008). Questions of perception. Phenomenology of Architecture.San Francisco: William Stout San Francisco: William Stout Publishers. ________. (1964). L’Oeil et l’Esprit. Paris: Gallimard. ________. (1988). Le Visible et l’Invisible. Paris:Gallimard. Pallasmaa, J. (2005). The eyes of the skin. Architecture and the senses. Chichester: John Wiley & Sons Ltd. Edensor, T. (2010). “Aurora landscapes: affective atmospheres of light and dark”. In: Karl Benediktsson and Katrín Anna Lund (Eds.). Conversations with Landscape.Farnham: Ashgate. Merleau-Ponty, M. (1945). Phénoménologie de la Perception. Paris: Gallimard. Von Fennig Wrobleski, D. (2009). “A little house in the country. The farnsworth house”. In: The Chicago Literary Club, February 23. Zumthor, P. (2010a). Atmospheres: architectural environments, surrounding objects. Basel: Birkhäuser. _______ (2010b). Thinking architecture. Basel: Birkhäuser. Caruso, A. (2008). The feeling of things. Barcelona: Ediciones Polígrafa. |
type_driver |
info:eu-repo/semantics/article |
type_coar |
http://purl.org/coar/resource_type/c_6501 |
type_version |
info:eu-repo/semantics/publishedVersion |
type_coarversion |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
type_content |
Text |
publishDate |
2013-01-01 |
date_accessioned |
2013-01-01T00:00:00Z |
date_available |
2013-01-01T00:00:00Z |
url |
https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/511 |
url_doi |
https://revistasojs.ucaldas.edu.co/index.php/kepes/article/view/511 |
issn |
1794-7111 |
eissn |
2462-8115 |
citationstartpage |
183 |
citationendpage |
198 |
url2_str_mv |
https://revistasojs.ucaldas.edu.co/index.php/kepes/article/download/511/436 |
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