Titulo:

Cronomosaicos: metáforas espaciales del tiempo en la novela hipermedia TOC, de Steve Tomasula
.

Sumario:

En este artículo se hace un análisis de la novela interactiva TOC: A New Media Novel (2009), del escritor y artista norteamericano Steve Tomasula a partir de las metáforas conceptuales que propone en torno a la temporalidad. A partir de estos tropos temporales, se ofrece una reflexión en torno a las particularidades de la ficción interactiva, tanto en sus formas narrativas como en su relación con los soportes tecnológicos en los que se fundamenta. Así mismo, se propone un acercamiento a la manera en que la semántica cognitiva ha abordado la manera en que los seres humanos conceptualizamos el tiempo, tratando de extender sus análisis basados en el lenguaje verbal al ámbito de los medios audiovisuales interactivos.

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spelling Cronomosaicos: metáforas espaciales del tiempo en la novela hipermedia TOC, de Steve Tomasula
Chronomosaics: Spatial Metaphors of Time in TOC Hypermedia Novel by Steve Tomasula
En este artículo se hace un análisis de la novela interactiva TOC: A New Media Novel (2009), del escritor y artista norteamericano Steve Tomasula a partir de las metáforas conceptuales que propone en torno a la temporalidad. A partir de estos tropos temporales, se ofrece una reflexión en torno a las particularidades de la ficción interactiva, tanto en sus formas narrativas como en su relación con los soportes tecnológicos en los que se fundamenta. Así mismo, se propone un acercamiento a la manera en que la semántica cognitiva ha abordado la manera en que los seres humanos conceptualizamos el tiempo, tratando de extender sus análisis basados en el lenguaje verbal al ámbito de los medios audiovisuales interactivos.
This article examines the interactive novel TOC: A New Media Novel (2009), by American writer and artist Steve Tomasula, based on the conceptual metaphors he proposes about temporality. Drawing from these temporal tropes, we present a reflection on the particularities of interactive fiction, both in its narrative forms and its connection with the technological supports it is build upon. Likewise, we propose an approach to the way in which cognitive semantics has addressed the way human beings conceptualize time, trying to expand their analysis from the verbal language to the realm of interactive audiovisual media.
Conde, Juan Alberto
Interactive narrative
cognitive semantics
conceptual metaphor
theory of conceptual integration
time
TOC
Steve Tomasula
Narración interactiva
Semántica Cognitiva
Metáfora Conceptual
Teoría de la Integración Conceptual
Tiempo
TOC
Steve Tomasula
6
Núm. 6 , Año 2019 : Dossier. La indeterminación de la imagen: El acto narrativo en la era digital
Artículo de revista
Journal article
2019-01-23T00:00:00Z
2019-01-23T00:00:00Z
2019-01-23
application/pdf
text/xml
Universidad de Bogotá Jorge Tadeo Lozano
Razón Crítica
2500-7807
2539-5300
https://revistas.utadeo.edu.co/index.php/razoncritica/article/view/1442
10.21789/25007807.1442
https://doi.org/10.21789/25007807.1442
spa
https://creativecommons.org/licenses/by-nc-sa/4.0/
113
132
Banash, D. (2015). Steve Tomasula. The Art and Science of New Media Fiction. New York/London/: Bloomsbury.
Banash, D., & Spain, A. (2015). Introduction: Composition, Emergence, Sensation: Science and New Media in the Novels of Steve Tomasula. In D. Banash, Steve Tomasula. The Art and Science of New Media Fiction (pp. 1-24). New York/London: Bloomsbury.
Banash, D., & Tomasula, S. (2015). Afterword. An Interview with Steve Tomasula. In D. Banash, Steve Tomasula. The Art and Science of New Media Fiction (pp. 285-304). New York/London: Bloomsbury.
Berens, K. I. (2015). Touch and Decay: Tomasula's TOC on ipad. In D. Banash, Steve Tomasula. The Art and Science of New Media Fiction (pp. 167-182). New York/London: Bloomsbury.
Boroditsky, L. (2000). Metaphoric structuring: understanding time through spatial metaphors. Cognition, 1-28.
Bray, J., Gibbons, A., & McHale, B. (2012). The Routledge Companion to Experimental Literature. New York: Routledge.
Bylund, E., & Athanasopoulos, P. (2017). The Whorfian Time Warp: Representing Duration Through the Language Hourglass. Journal of Experimental Psychology: General, 146(7), 911-916.
Conde, J. A. (2011). Límites y posibilidades de la novela hipermedia. Memorias digitales del VIII Foro de Diseño/Festival de la Imagen (CD ROM). Manizales: Universidad de Caldas.
Evans, V. (2003). The Structure of Time. Language, meaning and temporal cognition. Amsterdam/Philadelphia: John Benjamins Publishing Company.
Evans, V., & Green, M. (2006). Cognitive Linguistics. An Introduction. Edinburgh: Edinburgh University Press.
Fauconnier, G. (1994). Mental Spaces. Aspects of Meaning construction in Natural Language. Cambridge: Cambridge University Press.
Fauconnier, G., & Turner, M. (2002). The Way we Think. Conceptual Blending and the Mind's Hidden Complexities. New York: Basic Books.
Fauconnier, G., & Turner, M. (2008). Rethinking Metaphor. In J. R. Gibbs, The Cambridge Handbook of Metaphor and Thought (pp. 53-66). Cambridge/New York: Cambridge University Press.
Gentner, D., Imai, M., & Boroditsky, L. (2002). As time goes by: Evidence for two systems in processing space-time metaphors. Language and Cognitive Processes, 537-565.
Gibbons, A. (2012, 06 28). Electronic Book Review. Retrieved from “You’ve never experienced a novel like this”: Time and Interaction when reading TOC: http://www.electronicbookreview.com/thread/fictionspresent/linear
Gibbons, A. (2012). Multimodality, Cognition, and Experimental Literature. New York: Routledge.
Hayles, N. K. (2004). Print Is Flat, Code Is Deep: The Importance of Media-Specific Analysis. Poetics Today, 67-90.
Hayles, N. K. (2012). How we Think: Digital Media and Contemporary Technogenesis. Chicago: The University of Chicago Press.
Hurault-Paupe, A. (2015). Intermediality in Steve Tomasula's TOC: A New Media Novel: A Semiological Analysis. In D. Banash, Steve Tomasula. The Art and Science of New Media Fiction (pp. 183-208). New York/London: Bloomsbury.
Inman Berens, K. (2015). Touch and Decay: Tomasula's TOC on iPad. In D. Banash, Steve Tomasula: The Art and Science of New Media Fiction (pp. 167-182). New York and London: Bloomsbury.
Johnson, M., & Lakoff, G. (2008). Philosophy In The Flesh. The Embodied Mind and its Challenge to Western Thought. New York: Basic Books.
Johnson, M., & Lakoff, G. (2017). Metáforas de la vida cotidiana. Madrid: Cátedra.
Moore, K. E. (2014). The Spatial Language of Time. Metaphor, metonymy, and frames of reference. Amsterdam/Philadelphia: John Benjamins Publishing Company.
Núñez, R. E., & Sweetser, E. (2006). With the Future Behind Them: Convergent Evidence From Aymara Language and Gesture in the Crosslinguistic Comparison of Spatial Construals of Time. Cognitive Science, 401–450.
Núñez, R. E., Motz, B. A., & Teuscher, U. (2006). Time After Time: The Psychological Reality of the Ego- and Time-Reference-Point Distinction in Metaphorical Construals of Time. Metaphor and Symbol, 133–146.
Olsen, L. (2015). Ontological Metalepses, Unnatural Narratology, and Locality: A politics of the [[ Page ]] in Tomasula's VAS & TOC. In D. Banash, Steve Tomasula. The Art and Science of New Media Fiction (pp. 209-224). New York/London: Bloomsbury.
Page, R. (2010). New Perspectives on Narrative and Multimodality. New York/London: Routledge.
Pellegrin, J.-Y. (2010). Tactics Against Tic-Toc: Browsing Steve Tomasula's New. Études anglaises, 174-190.
Tomasula, S. (2009). TOC: A New Media Novel. Tuscaloosa: The University of Alabama Press.
Tomasula, S. (2012). Code Poetry and New-media Literature. In J. Bray, A. Gibbons, & B. McHale, The Routledge Companion to Experimental Literature (pp. 483-496). New York: Routledge.
Tomasula, S. (2012). Information Design, Emergent Culture and Experimental Form in the Novel. In J. Bray, A. Gibbons, & B. McHale, The Routledge Companion to Experimental Literature (pp. 435-451). New York: Routledge.
https://revistas.utadeo.edu.co/index.php/razoncritica/article/download/1442/1438
https://revistas.utadeo.edu.co/index.php/razoncritica/article/download/1442/1666
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title Cronomosaicos: metáforas espaciales del tiempo en la novela hipermedia TOC, de Steve Tomasula
spellingShingle Cronomosaicos: metáforas espaciales del tiempo en la novela hipermedia TOC, de Steve Tomasula
Conde, Juan Alberto
Interactive narrative
cognitive semantics
conceptual metaphor
theory of conceptual integration
time
Steve Tomasula
Narración interactiva
Semántica Cognitiva
Metáfora Conceptual
Teoría de la Integración Conceptual
Tiempo
Steve Tomasula
title_short Cronomosaicos: metáforas espaciales del tiempo en la novela hipermedia TOC, de Steve Tomasula
title_full Cronomosaicos: metáforas espaciales del tiempo en la novela hipermedia TOC, de Steve Tomasula
title_fullStr Cronomosaicos: metáforas espaciales del tiempo en la novela hipermedia TOC, de Steve Tomasula
title_full_unstemmed Cronomosaicos: metáforas espaciales del tiempo en la novela hipermedia TOC, de Steve Tomasula
title_sort cronomosaicos: metáforas espaciales del tiempo en la novela hipermedia toc, de steve tomasula
title_eng Chronomosaics: Spatial Metaphors of Time in TOC Hypermedia Novel by Steve Tomasula
description En este artículo se hace un análisis de la novela interactiva TOC: A New Media Novel (2009), del escritor y artista norteamericano Steve Tomasula a partir de las metáforas conceptuales que propone en torno a la temporalidad. A partir de estos tropos temporales, se ofrece una reflexión en torno a las particularidades de la ficción interactiva, tanto en sus formas narrativas como en su relación con los soportes tecnológicos en los que se fundamenta. Así mismo, se propone un acercamiento a la manera en que la semántica cognitiva ha abordado la manera en que los seres humanos conceptualizamos el tiempo, tratando de extender sus análisis basados en el lenguaje verbal al ámbito de los medios audiovisuales interactivos.
description_eng This article examines the interactive novel TOC: A New Media Novel (2009), by American writer and artist Steve Tomasula, based on the conceptual metaphors he proposes about temporality. Drawing from these temporal tropes, we present a reflection on the particularities of interactive fiction, both in its narrative forms and its connection with the technological supports it is build upon. Likewise, we propose an approach to the way in which cognitive semantics has addressed the way human beings conceptualize time, trying to expand their analysis from the verbal language to the realm of interactive audiovisual media.
author Conde, Juan Alberto
author_facet Conde, Juan Alberto
topic Interactive narrative
cognitive semantics
conceptual metaphor
theory of conceptual integration
time
Steve Tomasula
Narración interactiva
Semántica Cognitiva
Metáfora Conceptual
Teoría de la Integración Conceptual
Tiempo
Steve Tomasula
topic_facet Interactive narrative
cognitive semantics
conceptual metaphor
theory of conceptual integration
time
Steve Tomasula
Narración interactiva
Semántica Cognitiva
Metáfora Conceptual
Teoría de la Integración Conceptual
Tiempo
Steve Tomasula
topicspa_str_mv Narración interactiva
Semántica Cognitiva
Metáfora Conceptual
Teoría de la Integración Conceptual
Tiempo
Steve Tomasula
citationissue 6
citationedition Núm. 6 , Año 2019 : Dossier. La indeterminación de la imagen: El acto narrativo en la era digital
publisher Universidad de Bogotá Jorge Tadeo Lozano
ispartofjournal Razón Crítica
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language spa
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references Banash, D. (2015). Steve Tomasula. The Art and Science of New Media Fiction. New York/London/: Bloomsbury.
Banash, D., & Spain, A. (2015). Introduction: Composition, Emergence, Sensation: Science and New Media in the Novels of Steve Tomasula. In D. Banash, Steve Tomasula. The Art and Science of New Media Fiction (pp. 1-24). New York/London: Bloomsbury.
Banash, D., & Tomasula, S. (2015). Afterword. An Interview with Steve Tomasula. In D. Banash, Steve Tomasula. The Art and Science of New Media Fiction (pp. 285-304). New York/London: Bloomsbury.
Berens, K. I. (2015). Touch and Decay: Tomasula's TOC on ipad. In D. Banash, Steve Tomasula. The Art and Science of New Media Fiction (pp. 167-182). New York/London: Bloomsbury.
Boroditsky, L. (2000). Metaphoric structuring: understanding time through spatial metaphors. Cognition, 1-28.
Bray, J., Gibbons, A., & McHale, B. (2012). The Routledge Companion to Experimental Literature. New York: Routledge.
Bylund, E., & Athanasopoulos, P. (2017). The Whorfian Time Warp: Representing Duration Through the Language Hourglass. Journal of Experimental Psychology: General, 146(7), 911-916.
Conde, J. A. (2011). Límites y posibilidades de la novela hipermedia. Memorias digitales del VIII Foro de Diseño/Festival de la Imagen (CD ROM). Manizales: Universidad de Caldas.
Evans, V. (2003). The Structure of Time. Language, meaning and temporal cognition. Amsterdam/Philadelphia: John Benjamins Publishing Company.
Evans, V., & Green, M. (2006). Cognitive Linguistics. An Introduction. Edinburgh: Edinburgh University Press.
Fauconnier, G. (1994). Mental Spaces. Aspects of Meaning construction in Natural Language. Cambridge: Cambridge University Press.
Fauconnier, G., & Turner, M. (2002). The Way we Think. Conceptual Blending and the Mind's Hidden Complexities. New York: Basic Books.
Fauconnier, G., & Turner, M. (2008). Rethinking Metaphor. In J. R. Gibbs, The Cambridge Handbook of Metaphor and Thought (pp. 53-66). Cambridge/New York: Cambridge University Press.
Gentner, D., Imai, M., & Boroditsky, L. (2002). As time goes by: Evidence for two systems in processing space-time metaphors. Language and Cognitive Processes, 537-565.
Gibbons, A. (2012, 06 28). Electronic Book Review. Retrieved from “You’ve never experienced a novel like this”: Time and Interaction when reading TOC: http://www.electronicbookreview.com/thread/fictionspresent/linear
Gibbons, A. (2012). Multimodality, Cognition, and Experimental Literature. New York: Routledge.
Hayles, N. K. (2004). Print Is Flat, Code Is Deep: The Importance of Media-Specific Analysis. Poetics Today, 67-90.
Hayles, N. K. (2012). How we Think: Digital Media and Contemporary Technogenesis. Chicago: The University of Chicago Press.
Hurault-Paupe, A. (2015). Intermediality in Steve Tomasula's TOC: A New Media Novel: A Semiological Analysis. In D. Banash, Steve Tomasula. The Art and Science of New Media Fiction (pp. 183-208). New York/London: Bloomsbury.
Inman Berens, K. (2015). Touch and Decay: Tomasula's TOC on iPad. In D. Banash, Steve Tomasula: The Art and Science of New Media Fiction (pp. 167-182). New York and London: Bloomsbury.
Johnson, M., & Lakoff, G. (2008). Philosophy In The Flesh. The Embodied Mind and its Challenge to Western Thought. New York: Basic Books.
Johnson, M., & Lakoff, G. (2017). Metáforas de la vida cotidiana. Madrid: Cátedra.
Moore, K. E. (2014). The Spatial Language of Time. Metaphor, metonymy, and frames of reference. Amsterdam/Philadelphia: John Benjamins Publishing Company.
Núñez, R. E., & Sweetser, E. (2006). With the Future Behind Them: Convergent Evidence From Aymara Language and Gesture in the Crosslinguistic Comparison of Spatial Construals of Time. Cognitive Science, 401–450.
Núñez, R. E., Motz, B. A., & Teuscher, U. (2006). Time After Time: The Psychological Reality of the Ego- and Time-Reference-Point Distinction in Metaphorical Construals of Time. Metaphor and Symbol, 133–146.
Olsen, L. (2015). Ontological Metalepses, Unnatural Narratology, and Locality: A politics of the [[ Page ]] in Tomasula's VAS & TOC. In D. Banash, Steve Tomasula. The Art and Science of New Media Fiction (pp. 209-224). New York/London: Bloomsbury.
Page, R. (2010). New Perspectives on Narrative and Multimodality. New York/London: Routledge.
Pellegrin, J.-Y. (2010). Tactics Against Tic-Toc: Browsing Steve Tomasula's New. Études anglaises, 174-190.
Tomasula, S. (2009). TOC: A New Media Novel. Tuscaloosa: The University of Alabama Press.
Tomasula, S. (2012). Code Poetry and New-media Literature. In J. Bray, A. Gibbons, & B. McHale, The Routledge Companion to Experimental Literature (pp. 483-496). New York: Routledge.
Tomasula, S. (2012). Information Design, Emergent Culture and Experimental Form in the Novel. In J. Bray, A. Gibbons, & B. McHale, The Routledge Companion to Experimental Literature (pp. 435-451). New York: Routledge.
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