Titulo:
Entangled Beings: A Reflection on Making Art Assemblages from Waste Materials
.
Sumario:
This paper reflects on making visual art works with everyday waste material found in the garbage heaps of the postmodern cyborg Anthropocene. My reflection, shaped by earlier material explorations of creating assemblages from discarded or decaying materials, focuses mainly on the challenge of making a semi-permanent art assemblage titled Amazonia, Goddess of Waste. The methodologies I followed for this reflection are autoethnography and interdisciplinary art-international law research creation. My outlook has been influenced by art movements such as new materialism, postmodernism, and posthumanism. The meditations that I included in this document – related to international law’s failure to protect human rights and the environment and the o... Ver más
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Entangled Beings: A Reflection on Making Art Assemblages from Waste Materials Seres enredados: una reflexión sobre la creación de montajes de arte con materiales de desecho This paper reflects on making visual art works with everyday waste material found in the garbage heaps of the postmodern cyborg Anthropocene. My reflection, shaped by earlier material explorations of creating assemblages from discarded or decaying materials, focuses mainly on the challenge of making a semi-permanent art assemblage titled Amazonia, Goddess of Waste. The methodologies I followed for this reflection are autoethnography and interdisciplinary art-international law research creation. My outlook has been influenced by art movements such as new materialism, postmodernism, and posthumanism. The meditations that I included in this document – related to international law’s failure to protect human rights and the environment and the opportunities and challenges of artmaking in times of environmental crisis – were produced as I struggled with the materiality of Amazonia’s paradoxical fragility. Este artículo reflexiona sobre la realización de obras de arte visual con materiales de desecho cotidianos encontrados en los montones de basura del Antropoceno cyborg posmoderno. Mi reflexión, formada por exploraciones materiales anteriores sobre la creación de ensamblajes a partir de materiales desechados o en descomposición, se centra en el desafío de hacer un ensamblaje artístico semipermanente titulado Amazonia, Goddess of Waste. Las metodologías que seguí para esta reflexión son la autoetnografía y la creación de arte interdisciplinario/investigación del derecho internacional. Mi perspectiva ha sido influenciada por movimientos artísticos como el nuevo materialismo, el posmodernismo y el poshumanismo. Las meditaciones que incluí en este documento –relacionadas con el fracaso del derecho internacional para proteger los derechos humanos y el medio ambiente y las oportunidades y desafíos de la creación artística en tiempos de crisis ambiental– fueron producidas mientras luchaba con la materialidad de la paradójica fragilidad de Amazonia. Fitzgerald, Oonagh E. hacer visual arte ensamblaje de arte autoetnografía visual making art art assemblage autoethnography 9 12 Núm. 12 , Año 2023 : Diseño+Arte+Ciencia Artículo de revista Journal article 2024-07-23T10:17:21Z 2024-07-23T10:17:21Z 2024-07-23 application/pdf Universidad de Bogotá Jorge Tadeo Lozano La Tadeo Dearte 2422-3158 2590-6453 https://revistas.utadeo.edu.co/index.php/ltd/article/view/entangled-beings-reflection-making-art-assemblages 10.21789/24223158.2107 https://doi.org/10.21789/24223158.2107 eng https://creativecommons.org/licenses/by-nc-sa/4.0 La Tadeo Dearte - 2023 Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial-CompartirIgual 4.0. Artspur, “10 Artists Working in Recycled Art,” 1 August 2018, https://blog.artsper.com/en/get-inspired/top-10-of-recycled-art/#:~:text=Belgian%20artist%20Wim%20Delvoye%20is,used%20objects%20into%20spectacular%20artworks. Barad, Karen Michelle. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham N.C.: Duke University Press, 2007. https://doi.org/10.2307/j.ctv12101zq Barad, Karan. “Troubling time/s, undoing the future.” (2016) https://www.youtube.com/watch?v=dBnOJioYNHU&ab_channel=FacultyofArts%2CAarhusUniversitet. Barad, Karan. “After the end of the world: Entangled nuclear colonialisms, matters of force, and the material force of justice.” Theory & event 22, no. 3 (2019): 524–550. Bennett, Jane, Vibrant Matter – A Political Ecology of Things. Durham and London: Duke University Press, (2010). https://doi.org/10.2307/j.ctv111jh6w Braidotti, Rosi. “A Theoretical Framework for the Critical Posthumanities.” Theory, Culture & Society 36, no. 6 (2019): 31–61. https://doi.org/10.1177/0263276418771486. Butler, Judith. Gender Trouble. New York: Routledge, 1990. Canadian Geographic, “From plastic trash to treasured art: Five artists invite us to rethink our relationship with plastic,” June 29, 2020, https://canadiangeographic.ca/articles/from-plastic-trash-to-treasured-art-five-artists-invite-us-to-rethink-our-relationship-with-plastic/. Carson, Rachel, Edward O Wilson, Linda J Lear, Lois Darling, and Louis Darling. Silent Spring. First Mariner books ed. Boston: Mariner Book, Houghton Mifflin Company, 2002. Causeartist, “13 Incredible Artivists Using Recycled Materials in Their Art” Arts, Culture & Entertainment, https://causeartist.com/incredible-recycled-art-materials-creations/#:~:text=HA%20Schult%20is%20a%20German,a%20building%20made%20of%20garbage. Chapman, Owen, and Kim Sawchuk. “Research-creation: Intervention, analysis and ‘family resemblances’,” Special Issue on Media Arts Revisited, Canadian Journal of Communication, 37, no. 1 (2012): 5-26. https://doi.org/10.22230/cjc.2012v37n1a2489 Charlesworth, Hilary, and Emma Larking, “International Law: A Discipline of Crisis,” The Modern Law Review 65, no. 3 (2002): 377–392. https://doi.org/10.1111/1468-2230.00385 Cixous, Hélène. “The Laugh of the Medusa.” Translated by K. Cohen and P. Cohen, Signs 1, no. 4 (Summer, 1976): 875-893 The University of Chicago Press, Stable URL: http://www.jstor.org/stable/3173239, 887. https://doi.org/10.1086/493306 Cooke, Lynne. “Essay by Lynne Cooke with statements by Joseph Beuys”, 7000 Oak, http://web.mit.edu/allanmc/www/cookebeuys.pdf. Corten, Olivier, and Pierre Klein, with drawings by Gérard Bedoret. Une Histoire Du Droit International: De Salamanque À Guantanamo. Luçon: Futuropolis, 2022. Deleuze, Gilles and Félix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Translated by Brian Massumi. Minneapolis: University of Minnesota Press, 1987. Derrida, Jacques. Genesis, Geneologies, Genres and Genius. Translated by Beverley Bie Brahic. Edinburgh: Edinburgh University Press, 2006. Dolphijn, Rick and Iris van der Tuin. “Matter feels, converses, suffers, desires, yearns and remembers,” Interview with Karen Barad, in New Materialism: Interviews & Cartographies, Open Humanities Press (2012): http://dx.doi.org/10.3998/ohp.11515701.0001.001. Ellis, Carolyn and Arthur P. Bochner. “Autoethnography, personal narrative, reflexivity: research as subject.” In Handbook of Qualitative Research, second edition, edited by Norman K. Denzin and Yvonna S. Lincoln, 733-768. Thousand Oaks: Sage Publications, 2000. Geerts, Evelien, and Iris van der Tuin. “The Feminist Futures of Reading Diffractively: How Barad's Methodology Replaces Conflict-based Readings of Beauvoir and Irigaray.” Rhizomes cultural studies in emerging knowledge, no. 30 (2016): https://doi.org/10.20415/rhiz/030.e02. Graham, Martha. “I am a dancer.” In The Routledge Dance Studies Reader, edited by Jens Richard Giersdorf and Yutian Wong, 120-125. London and New York: Routledge, 2019, 3d edition. https://doi.org/10.4324/9781315109695-11 Grear, Anna, “Deconstructing Anthropos: A Critical Legal Reflection on ‘Anthropocentric’ Law and Anthropocene,” Humanity (20 May 2015): 225-249, Springer Science+Business Media Dordrecht, Published online. Haraway, Donna. “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century.” In Simians, Cyborgs, and Women, 171–204. Routledge, 1990. Keeling, Diane Marie and Marguerite Nguyen Lehman “Posthumanism.” Oxford University Press 2018 https://doi.org/10.1093/acrefore/9780190228613.013.627. Manning, Erin. “Against Method.” in Vannini, Phillip. Non-Representational Methodologies: Re-Envisioning Research. First edition. New York: Routledge, 2015. https://doi.org/10.4324/9781315883540. McCall, Michal M.. “Performance Ethnography: A Brief History and Some Advice.” In Handbook of Qualitative Research, second edition, edited by Norman K. Denzin and Yvonna S. Lincoln, 421-433. Thousand Oaks: Sage Publications, 2000. Minh-Ha, Trinh T.. Woman, native, other: Writing postcoloniality and feminism. Bloomington: Indiana University Press, 1989. Noury, Cynthia, and Louis-Claude Paquin. “(Re)Visiting Our Previous Contributions for Research-Creation [as Practice] — A Performative and Polyvocal Writing Project,” Prepublication Version (Fall 2020): 45. Nussbaum, Martha C.. Cosmopolitan tradition: a noble but flawed ideal. Cambridge, Massachusetts: The Belknap Press of Harvard University Press, 2019. https://doi.org/10.4159/9780674242975 Rose, Gillian. Feminism & Geography: The Limits of Geographical Knowledge. Cambridge: Polity Press, 1993. Simpson, Gerry. The Sentimental Life of International Law: Literature, Language, and Longing in World Politics. Oxford: Oxford University Press, 2022. https://doi.org/10.1093/oso/9780192849793.001.0001 Sullivan, Graeme. Art practice research: Inquiry in the visual arts. Thousand Oaks: Sage Publications, 2004. Vaughan, Kathryn. “Pieced together: Collage as an artist’s method for interdisciplinary research.” International Journal of Qualitative Methods, 4, no. 1 (2005): 27–52, https://doi.org/10.1177/160940690500400103 Wayland Barber, Elizabeth. Women’s Work: The First 20,000 Years: Women, Cloth, and Society in Early Times. First edition. New York: Norton, 1994. http://vikmuniz.net/news/muntref-vik-muniz https://www.haschult.de/picture-boxes#content https://revistas.utadeo.edu.co/index.php/ltd/article/download/entangled-beings-reflection-making-art-assemblages/2158 info:eu-repo/semantics/article http://purl.org/coar/resource_type/c_6501 info:eu-repo/semantics/publishedVersion http://purl.org/coar/version/c_970fb48d4fbd8a85 info:eu-repo/semantics/openAccess http://purl.org/coar/access_right/c_abf2 Text Publication |
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UNIVERSIDAD JORGE TADEO LOZANO |
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La Tadeo Dearte |
| title |
Entangled Beings: A Reflection on Making Art Assemblages from Waste Materials |
| spellingShingle |
Entangled Beings: A Reflection on Making Art Assemblages from Waste Materials Fitzgerald, Oonagh E. hacer visual arte ensamblaje de arte autoetnografía visual making art assemblage autoethnography |
| title_short |
Entangled Beings: A Reflection on Making Art Assemblages from Waste Materials |
| title_full |
Entangled Beings: A Reflection on Making Art Assemblages from Waste Materials |
| title_fullStr |
Entangled Beings: A Reflection on Making Art Assemblages from Waste Materials |
| title_full_unstemmed |
Entangled Beings: A Reflection on Making Art Assemblages from Waste Materials |
| title_sort |
entangled beings: a reflection on making art assemblages from waste materials |
| title_eng |
Seres enredados: una reflexión sobre la creación de montajes de arte con materiales de desecho |
| description |
This paper reflects on making visual art works with everyday waste material found in the garbage heaps of the postmodern cyborg Anthropocene. My reflection, shaped by earlier material explorations of creating assemblages from discarded or decaying materials, focuses mainly on the challenge of making a semi-permanent art assemblage titled Amazonia, Goddess of Waste. The methodologies I followed for this reflection are autoethnography and interdisciplinary art-international law research creation. My outlook has been influenced by art movements such as new materialism, postmodernism, and posthumanism. The meditations that I included in this document – related to international law’s failure to protect human rights and the environment and the opportunities and challenges of artmaking in times of environmental crisis – were produced as I struggled with the materiality of Amazonia’s paradoxical fragility.
|
| description_eng |
Este artículo reflexiona sobre la realización de obras de arte visual con materiales de desecho cotidianos encontrados en los montones de basura del Antropoceno cyborg posmoderno. Mi reflexión, formada por exploraciones materiales anteriores sobre la creación de ensamblajes a partir de materiales desechados o en descomposición, se centra en el desafío de hacer un ensamblaje artístico semipermanente titulado Amazonia, Goddess of Waste. Las metodologías que seguí para esta reflexión son la autoetnografía y la creación de arte interdisciplinario/investigación del derecho internacional. Mi perspectiva ha sido influenciada por movimientos artísticos como el nuevo materialismo, el posmodernismo y el poshumanismo. Las meditaciones que incluí en este documento –relacionadas con el fracaso del derecho internacional para proteger los derechos humanos y el medio ambiente y las oportunidades y desafíos de la creación artística en tiempos de crisis ambiental– fueron producidas mientras luchaba con la materialidad de la paradójica fragilidad de Amazonia.
|
| author |
Fitzgerald, Oonagh E. |
| author_facet |
Fitzgerald, Oonagh E. |
| topic |
hacer visual arte ensamblaje de arte autoetnografía visual making art assemblage autoethnography |
| topic_facet |
hacer visual arte ensamblaje de arte autoetnografía visual making art assemblage autoethnography |
| topicspa_str_mv |
visual making art assemblage autoethnography |
| citationvolume |
9 |
| citationissue |
12 |
| citationedition |
Núm. 12 , Año 2023 : Diseño+Arte+Ciencia |
| publisher |
Universidad de Bogotá Jorge Tadeo Lozano |
| ispartofjournal |
La Tadeo Dearte |
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https://revistas.utadeo.edu.co/index.php/ltd/article/view/entangled-beings-reflection-making-art-assemblages |
| language |
eng |
| format |
Article |
| rights |
https://creativecommons.org/licenses/by-nc-sa/4.0 La Tadeo Dearte - 2023 Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial-CompartirIgual 4.0. info:eu-repo/semantics/openAccess http://purl.org/coar/access_right/c_abf2 |
| references_eng |
Artspur, “10 Artists Working in Recycled Art,” 1 August 2018, https://blog.artsper.com/en/get-inspired/top-10-of-recycled-art/#:~:text=Belgian%20artist%20Wim%20Delvoye%20is,used%20objects%20into%20spectacular%20artworks. Barad, Karen Michelle. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham N.C.: Duke University Press, 2007. https://doi.org/10.2307/j.ctv12101zq Barad, Karan. “Troubling time/s, undoing the future.” (2016) https://www.youtube.com/watch?v=dBnOJioYNHU&ab_channel=FacultyofArts%2CAarhusUniversitet. Barad, Karan. “After the end of the world: Entangled nuclear colonialisms, matters of force, and the material force of justice.” Theory & event 22, no. 3 (2019): 524–550. Bennett, Jane, Vibrant Matter – A Political Ecology of Things. Durham and London: Duke University Press, (2010). https://doi.org/10.2307/j.ctv111jh6w Braidotti, Rosi. “A Theoretical Framework for the Critical Posthumanities.” Theory, Culture & Society 36, no. 6 (2019): 31–61. https://doi.org/10.1177/0263276418771486. Butler, Judith. Gender Trouble. New York: Routledge, 1990. Canadian Geographic, “From plastic trash to treasured art: Five artists invite us to rethink our relationship with plastic,” June 29, 2020, https://canadiangeographic.ca/articles/from-plastic-trash-to-treasured-art-five-artists-invite-us-to-rethink-our-relationship-with-plastic/. Carson, Rachel, Edward O Wilson, Linda J Lear, Lois Darling, and Louis Darling. Silent Spring. First Mariner books ed. Boston: Mariner Book, Houghton Mifflin Company, 2002. Causeartist, “13 Incredible Artivists Using Recycled Materials in Their Art” Arts, Culture & Entertainment, https://causeartist.com/incredible-recycled-art-materials-creations/#:~:text=HA%20Schult%20is%20a%20German,a%20building%20made%20of%20garbage. Chapman, Owen, and Kim Sawchuk. “Research-creation: Intervention, analysis and ‘family resemblances’,” Special Issue on Media Arts Revisited, Canadian Journal of Communication, 37, no. 1 (2012): 5-26. https://doi.org/10.22230/cjc.2012v37n1a2489 Charlesworth, Hilary, and Emma Larking, “International Law: A Discipline of Crisis,” The Modern Law Review 65, no. 3 (2002): 377–392. https://doi.org/10.1111/1468-2230.00385 Cixous, Hélène. “The Laugh of the Medusa.” Translated by K. Cohen and P. Cohen, Signs 1, no. 4 (Summer, 1976): 875-893 The University of Chicago Press, Stable URL: http://www.jstor.org/stable/3173239, 887. https://doi.org/10.1086/493306 Cooke, Lynne. “Essay by Lynne Cooke with statements by Joseph Beuys”, 7000 Oak, http://web.mit.edu/allanmc/www/cookebeuys.pdf. Corten, Olivier, and Pierre Klein, with drawings by Gérard Bedoret. Une Histoire Du Droit International: De Salamanque À Guantanamo. Luçon: Futuropolis, 2022. Deleuze, Gilles and Félix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Translated by Brian Massumi. Minneapolis: University of Minnesota Press, 1987. Derrida, Jacques. Genesis, Geneologies, Genres and Genius. Translated by Beverley Bie Brahic. Edinburgh: Edinburgh University Press, 2006. Dolphijn, Rick and Iris van der Tuin. “Matter feels, converses, suffers, desires, yearns and remembers,” Interview with Karen Barad, in New Materialism: Interviews & Cartographies, Open Humanities Press (2012): http://dx.doi.org/10.3998/ohp.11515701.0001.001. Ellis, Carolyn and Arthur P. Bochner. “Autoethnography, personal narrative, reflexivity: research as subject.” In Handbook of Qualitative Research, second edition, edited by Norman K. Denzin and Yvonna S. Lincoln, 733-768. Thousand Oaks: Sage Publications, 2000. Geerts, Evelien, and Iris van der Tuin. “The Feminist Futures of Reading Diffractively: How Barad's Methodology Replaces Conflict-based Readings of Beauvoir and Irigaray.” Rhizomes cultural studies in emerging knowledge, no. 30 (2016): https://doi.org/10.20415/rhiz/030.e02. Graham, Martha. “I am a dancer.” In The Routledge Dance Studies Reader, edited by Jens Richard Giersdorf and Yutian Wong, 120-125. London and New York: Routledge, 2019, 3d edition. https://doi.org/10.4324/9781315109695-11 Grear, Anna, “Deconstructing Anthropos: A Critical Legal Reflection on ‘Anthropocentric’ Law and Anthropocene,” Humanity (20 May 2015): 225-249, Springer Science+Business Media Dordrecht, Published online. Haraway, Donna. “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century.” In Simians, Cyborgs, and Women, 171–204. Routledge, 1990. Keeling, Diane Marie and Marguerite Nguyen Lehman “Posthumanism.” Oxford University Press 2018 https://doi.org/10.1093/acrefore/9780190228613.013.627. Manning, Erin. “Against Method.” in Vannini, Phillip. Non-Representational Methodologies: Re-Envisioning Research. First edition. New York: Routledge, 2015. https://doi.org/10.4324/9781315883540. McCall, Michal M.. “Performance Ethnography: A Brief History and Some Advice.” In Handbook of Qualitative Research, second edition, edited by Norman K. Denzin and Yvonna S. Lincoln, 421-433. Thousand Oaks: Sage Publications, 2000. Minh-Ha, Trinh T.. Woman, native, other: Writing postcoloniality and feminism. Bloomington: Indiana University Press, 1989. Noury, Cynthia, and Louis-Claude Paquin. “(Re)Visiting Our Previous Contributions for Research-Creation [as Practice] — A Performative and Polyvocal Writing Project,” Prepublication Version (Fall 2020): 45. Nussbaum, Martha C.. Cosmopolitan tradition: a noble but flawed ideal. Cambridge, Massachusetts: The Belknap Press of Harvard University Press, 2019. https://doi.org/10.4159/9780674242975 Rose, Gillian. Feminism & Geography: The Limits of Geographical Knowledge. Cambridge: Polity Press, 1993. Simpson, Gerry. The Sentimental Life of International Law: Literature, Language, and Longing in World Politics. Oxford: Oxford University Press, 2022. https://doi.org/10.1093/oso/9780192849793.001.0001 Sullivan, Graeme. Art practice research: Inquiry in the visual arts. Thousand Oaks: Sage Publications, 2004. Vaughan, Kathryn. “Pieced together: Collage as an artist’s method for interdisciplinary research.” International Journal of Qualitative Methods, 4, no. 1 (2005): 27–52, https://doi.org/10.1177/160940690500400103 Wayland Barber, Elizabeth. Women’s Work: The First 20,000 Years: Women, Cloth, and Society in Early Times. First edition. New York: Norton, 1994. http://vikmuniz.net/news/muntref-vik-muniz https://www.haschult.de/picture-boxes#content |
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