Titulo:

Fall of the Berlin Wall: Reflection of the Historical Event in the Newest German Drama
.

Guardado en:

2307-7999

2310-4635

9

2021-01-25

e1017

e1017

Propósitos y Representaciones - 2021

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http://purl.org/coar/access_right/c_abf2

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spelling Fall of the Berlin Wall: Reflection of the Historical Event in the Newest German Drama
Fall of the Berlin Wall: Reflection of the Historical Event in the Newest German Drama
In this article, the authors refer to the play “Kein Schiff wird kommen” (“No ship will come”), 2010, by a young German playwright Nisa-Momme Stockmann, in which “historical events are refracted in the context of personal events of the characters”. In the center of the play is a young man, a writer, who was commissioned by the theater to write about the fall of the Berlin Wall. The protagonist of the play is a representative of an indifferent generation, far from politics and history. In 1989, he himself was a child, and the reunification of Germany, at first glance, had no effect on him. However, upon closer inspection, it turns out that the fall of the wall turned out to be an important event for him and his family. Only an appeal to the history of the country and the family helps the character to resolve the internal conflict. This shows the relationship with the tradition of German literature after World War II: German writers often refer to historical facts in their works. The key topic is of guilt and responsibility, which has been rethought in the literature over the past 60 years. Analysing the drama allows us to conclude that modern young people reject their past, which causes the character's personality crisis, and it also leads to failure in communication. In addition, alongside with ousting the past, the problem of German identity arises.
Rafizovna Lisenko, Anzhela
Mukharyamovna Rakhimbirdieva, Ilmira
Iskandarovna Mukhametzyanova, Rezida
communication
history
cultural identity
theatre
literature
drama
9
SPE2
Núm. SPE2 , Año 2021 : Número especial: Competencias profesionales para la formación universitaria internacional
Artículo de revista
Journal article
2021-01-25T00:00:00Z
2021-01-25T00:00:00Z
2021-01-25
application/pdf
Carrera de Psicología, Universidad San Ignacio de Loyola, Lima, Perú.
Propósitos y Representaciones
2307-7999
2310-4635
https://revistas.usil.edu.pe/index.php/pyr/article/view/1017
10.20511/pyr2021.v9nSPE2.1017
https://doi.org/10.20511/pyr2021.v9nSPE2.1017
eng
https://creativecommons.org/licenses/by-nc-sa/4.0/
Propósitos y Representaciones - 2021
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https://revistas.usil.edu.pe/index.php/pyr/article/download/1017/1297
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collection Propósitos y Representaciones
title Fall of the Berlin Wall: Reflection of the Historical Event in the Newest German Drama
spellingShingle Fall of the Berlin Wall: Reflection of the Historical Event in the Newest German Drama
Rafizovna Lisenko, Anzhela
Mukharyamovna Rakhimbirdieva, Ilmira
Iskandarovna Mukhametzyanova, Rezida
communication
history
cultural identity
theatre
literature
drama
title_short Fall of the Berlin Wall: Reflection of the Historical Event in the Newest German Drama
title_full Fall of the Berlin Wall: Reflection of the Historical Event in the Newest German Drama
title_fullStr Fall of the Berlin Wall: Reflection of the Historical Event in the Newest German Drama
title_full_unstemmed Fall of the Berlin Wall: Reflection of the Historical Event in the Newest German Drama
title_sort fall of the berlin wall: reflection of the historical event in the newest german drama
title_eng Fall of the Berlin Wall: Reflection of the Historical Event in the Newest German Drama
description_eng In this article, the authors refer to the play “Kein Schiff wird kommen” (“No ship will come”), 2010, by a young German playwright Nisa-Momme Stockmann, in which “historical events are refracted in the context of personal events of the characters”. In the center of the play is a young man, a writer, who was commissioned by the theater to write about the fall of the Berlin Wall. The protagonist of the play is a representative of an indifferent generation, far from politics and history. In 1989, he himself was a child, and the reunification of Germany, at first glance, had no effect on him. However, upon closer inspection, it turns out that the fall of the wall turned out to be an important event for him and his family. Only an appeal to the history of the country and the family helps the character to resolve the internal conflict. This shows the relationship with the tradition of German literature after World War II: German writers often refer to historical facts in their works. The key topic is of guilt and responsibility, which has been rethought in the literature over the past 60 years. Analysing the drama allows us to conclude that modern young people reject their past, which causes the character's personality crisis, and it also leads to failure in communication. In addition, alongside with ousting the past, the problem of German identity arises.
author Rafizovna Lisenko, Anzhela
Mukharyamovna Rakhimbirdieva, Ilmira
Iskandarovna Mukhametzyanova, Rezida
author_facet Rafizovna Lisenko, Anzhela
Mukharyamovna Rakhimbirdieva, Ilmira
Iskandarovna Mukhametzyanova, Rezida
topic communication
history
cultural identity
theatre
literature
drama
topic_facet communication
history
cultural identity
theatre
literature
drama
citationvolume 9
citationissue SPE2
citationedition Núm. SPE2 , Año 2021 : Número especial: Competencias profesionales para la formación universitaria internacional
publisher Carrera de Psicología, Universidad San Ignacio de Loyola, Lima, Perú.
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date_available 2021-01-25T00:00:00Z
url https://revistas.usil.edu.pe/index.php/pyr/article/view/1017
url_doi https://doi.org/10.20511/pyr2021.v9nSPE2.1017
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