Titulo:
Entre el derecho y los sistemas creativos: una nueva dimensión del diseño de moda por medio de la inteligencia artificial
.
Sumario:
La creatividad siempre se ha atribuido al ser humano como una cierta clase de cualidad innata; sin embargo, aún no existe consenso general sobre lo que este término significa realmente; en este sentido, nada impediría que pueda ser considerada una atribución contextualista. De otro lado, el estado actual del desarrollo tecnológico ha dado lugar a diversos cuestionamientos en torno a la posibilidad de que un sistema pueda ser creativo; por esto, la creciente intersección entre el diseño y la inteligencia artificial implicará múltiples desafíos legales que la propiedad intelectual deberá abordar.
Guardado en:
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2022-06-24
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Ana Karin Chávez Valdivia - 2022
Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial-CompartirIgual 4.0.
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http://purl.org/coar/access_right/c_abf2
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Entre el derecho y los sistemas creativos: una nueva dimensión del diseño de moda por medio de la inteligencia artificial Between Law and Creative Systems: Resizing Fashion Design through Artificial Intelligence La creatividad siempre se ha atribuido al ser humano como una cierta clase de cualidad innata; sin embargo, aún no existe consenso general sobre lo que este término significa realmente; en este sentido, nada impediría que pueda ser considerada una atribución contextualista. De otro lado, el estado actual del desarrollo tecnológico ha dado lugar a diversos cuestionamientos en torno a la posibilidad de que un sistema pueda ser creativo; por esto, la creciente intersección entre el diseño y la inteligencia artificial implicará múltiples desafíos legales que la propiedad intelectual deberá abordar. Creativity has always been attributed to human being as a certain kind of innate quality; however, until now there is no general consensus on what this term really means. In this sense, nothing would prevent it from being considered a contextualist attribution. On the other hand, the current state of technological development has led to several questions about the possibility that any system could be creative; as regards the significant development of the growing intersection produced between design and artificial intelligence will imply multiple legal challenges that intellectual property must address. Chávez Valdivia , Ana Karin creative systems, artificial intelligence, fashion designs, intellectual property sistemas creativos, inteligencia artificial, diseños de moda, propiedad intelectual 43 Núm. 43 , Año 2022 : Julio-Diciembre Artículo de revista Journal article 2022-06-24T16:08:05Z 2022-06-24T16:08:05Z 2022-06-24 application/pdf text/html text/xml Departamento de Derecho Civil Revista de Derecho Privado 0123-4366 2346-2442 https://revistas.uexternado.edu.co/index.php/derpri/article/view/7932 10.18601/01234366.43.14 https://doi.org/10.18601/01234366.43.14 spa http://creativecommons.org/licenses/by-nc-sa/4.0 Ana Karin Chávez Valdivia - 2022 Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial-CompartirIgual 4.0. 353 386 Besold, T., Schorlemmer, M. y Smaill, A., “Introduction”, en Besold, T., Schorlemmer, M. y Smaill, A. (eds.), Computational Creativity Research: Towards Creative Machines, Paris, Atlantis, 2015, xix-xxii. Boden, M., “Creativity in Nutshell”, Think, vol. 5, n.º 15, Universidad de Cambridge, 2007, 83-95. Boden, M., Creativity and Art, Oxford, Universidad de Oxford, 2011. Boden, M., “Foreword”, en Besold, T., Schorlemmer, M. y Smaill, A. (eds.), Computational Creativity Research: Towards Creative Machines, Paris, Atlantis, 2015, v-xi. Boden, M., Its nature and future AI, Oxford, Universidad de Oxford, 2016. Brown, D., “Computational Artistic Creativity and Its Evaluation” [en línea], Computational Creativity: An Interdisciplinary Approach, 2009, disponible en https://pdfs.semanticscholar.org/18b3/03e07a7d9566e7f7f58daf0065c18739aa9b.pdf?_ga=2.133313734.939640743.1595361260-1189342948.1591998815 [consultado el 13 de mayo de 2020]. Cardoso, A., Veale, T. y Wiggins, G., “Converging on the Divergent: The History (and Future) of the International Joint Workshops in Computational Creativity”, AI Magazine, vol. 30, n.º 3, 2009. Colton, S., “Creativity Versus the Perception of Creativity in Computational Systems” [en línea], aaai Spring Symposium: Creative Intelligent Systems, 2008, 1, disponible en https://www.semanticscholar.org/paper/Creativity-Versus-the-Perception-of-Creativity-in-Colton/a2eab9219192b14f5019e346566668bf4986f591 [consultado el 10 de abril de 2020]. Colton, S., Pease, A., Corneli, J., Cook, M., Hepworth, R. y Ventura, D., “Stakeholder Groups in Computational Creativity Research and Practice”, en Besold, T., Schorlemmer, M. y Smaill, A. (eds.), Computational Creativity Research: Towards Creative Machines, Paris, Atlantis, 2015, 3-36. Csikszentmihalyi, M., Creativity: Flow and the Psychology of Discovery and Invention, Nueva York, Harper Perennial, 1996. Franke, N. y Piller, F., “Value Creation by Toolkits for User Innovation and Design: The case of the Watch Market”, en Journal of Product Innovation Management, vol. 21, n.º 6, 2004, 401-415. Goel, A., “Computational Design, Analogy, and Creativity”, en Veale, T. y Cardoso, A. (eds.), Computational Creativity: The Philosophy and Engineering of Autonomously Creative Systems, Cham, Springer, 2019, 141-158. Guadamuz, A., “La inteligencia artificial y el derecho de autor”, ompi Revista, n.º 5, 2017, 14-19. Hoff mann-Riem, W., “Artificial Intelligence as a Challenge for Law and Regulation”, en Wischmeyer, T. y Rademacher, T. (eds.), Regulating Artificial Intelligence, Cham, Springer, 2020, 1-32. Ihalainen, J., “Computer creativity: Artificial intelligence and copyright”, Journal of Intellectual Property Law & Practice, vol. 13, n.º 9, 724-728. Jelil, R., “Review of Artificial Intelligence Applications in Garment Manufacturing”, en Thomassey, S. y Zeng, X. (eds.), Artificial Intelligence for Fashion Industry in the Big Data Era, Singapur, Springer, 2018, 97-124. Jordanous, A., “A Standardised Procedure for Evaluating Creative Systems: Computational Creativity Evaluation Based on what it is to be Creative”, Cognitive Computation, vol. 4, 2012, 246-279. Kaplan, J., Artificial Intelligence: What Everyone Needs To Know, Oxford, Universidad de Oxford, 2017. Lakoff, G., “Why it Matters How We Frame the Environment”, en Environmental Communication, vol. 4, n.º 1, 2010, 70-81. Lampel, J. y Mintzberg, H., “Customizing Customization”, en Sloan Management Review, vol. 38, n.º 1, 1996, 21-30. Latour, B., How to follow scientist and engineers through society, Massachusetts, Universidad de Harvard, 1987. Lu, H., Chen, Y. y Du, J. “An Interactive System Based on Kansei Engineering to Support Clothing Design Process”, en Research Journal of Applied Sciences, Engineering and Technology, vol. 6, n.º 24, 2013, 4531-4535. Luce, L., Artificial Intelligence for Fashion: How AI is Revolutionizing the Fashion Industry, San Francisco, Apress, 2019. Mainzer, K., Artificial Intelligence – When do Machines take over?, Berlin, Springer, 2019. Mok, P., Xu, J., Wang, X., Fan, J., Kwok, Y. y Xin, J., “An iga-based design support system for realistic and practical fashion designs”, en Computer-Aided Design, vol. 45, n.º 11, 2013, 1442-1458. ompi, Guía del Convenio de Berna para la Protección de Obras Literarias y Artísticas (Acta de Paris, 1971), Ginebra, ompi, 1978. Pease, A. y Colton, S., “On impact and evaluation in Computational Creativity: a discussion of the Turing Test and an alternative proposal” [en línea], Proceedings of aisb ‘11, 2011, 1, disponible en https://aisb.org.uk/convention-proceedings/ [consultado el 15 de abril de 2020]. Rademacher, T. y Wischmeyer, T., “Preface: Good Artificial Intelligence”, en Regulating Artificial Intelligence, Cham, Springer, 2020, v-ix. Raustiala, K. y Sprigman, C., “The Piracy Paradox: innovation and intellectual property in fashion design”, en Kresajla, B. (ed.), Anuario Andino de Derechos Intelectuales, t. iii, Lima, Palestra, 2007, 339-412. Ritchie, G., “Assessing Creativity” [en línea], Proceedings of the aisb’01 Symposium on Artificial Intelligence and Creativity in Arts and Science, 2001, disponible en http://citeseerx.ist.psu.edu/viewdoc/citations;jsessionid=80D415146453C762977D3dec2ecb1F25?doi=10.1.1.102.9689 [consultado el 12 de abril de 2020]. Ritchie, G., “Some Empirical Criteria for Attributing Creativity to a Computer Program”, Minds and Machines, vol. 17, 2007, 67-99. Salas, P., “La industria de la moda a la luz de la propiedad intelectual”, La Propiedad Inmaterial, n.º 17, 2013, 145-161. Salas, P., “La moda y la propiedad intelectual”, en Bello, S. y Echevarría, P. (eds.), Derecho y Moda, Madrid, Marcial Pons, 2015, 53-72. Scafidi, S., “Intellectual Property and Fashion Design”, Intellectual Property and Information Wealth, vol. 1, n.º 115, 2006, 115-131. Searle, J., “A taxonomy of illocutionary acts”, en Gunderson, K. (ed.), Language, Mind, and Knowledge, Minnesota, Universidad de Minnesota, 1975, 350 y ss. Satanowsky, I., Derecho Intelectual, t. i, Buenos Aires, tea, 1954. Senanayake, M., Mixed Mass Production and Mass Customization: Best Practices for Apparel. Una tesis presentada a la Facultad de Posgrado de la Universidad Estatal de Carolina del Norte en cumplimiento parcial de los requisitos para obtener el Grado de Doctor en Filosofía, 2004. Shuyun, R., Chi-Leung, P. y Tsun-Ming, J., “AI - Based Fashion Sales Forecasting Methods in Big Data Era”, en Thomassey, S. y Zeng, X. (eds.), Artificial Intelligence for Fashion Industry in the Big Data Era, Singapur, Springer, 2018, 9-26. Tehrani, A. y Ahrens, D., “Enhanced Predictive Models for Purchasing in the Fashion Field by Applying Regression Trees Equipped with Ordinal Logistic Regression”, en Thomassey, S. y Zeng, X. (eds.), Artificial Intelligence for Fashion Industry in the Big Data Era, Singapur, Springer, 2018, 27-46. Thomassey, S. y Zeng, X., “Preface”, en Thomassey, S. y Zeng, X. (eds.), Artificial Intelligence for Fashion Industry in the Big Data Era, Singapur, Springer, 2018, v-vi. Turner, J., Robot Rules: Regulating Artificial Intelligence, Londres, Palgrave Macmillan, 2019. Ventura, D., “The computational creativity complex”, en Besold, T., Schorlemmer, M. y Smaill, A. (eds.), Computational Creativity Research: Towards Creative Machines, Paris, Atlantis, 2015, 65-92. Wang, L., Zeng, X., Koehl, L. y Chen, Y., “A Human Perception – Based Fashion Design Support System for Mass Customization”, en Sun, F., Li, T. y Li, H. (eds.), Knowledge Engineering and Management, Singapur, Springer, 2013, 543-555. Wiggins, G., “A preliminary framework for description, analysis and comparison of creative systems”, Knowledge – Based Systems, vol. 19, n.º 7, 2006, 449-458. Xue, Z., Zeng, X. y Koehl, L., “Artificial Intelligence Applied to Multisensory Studies of Textile Products”, en Thomassey, S. y Zeng, X. (eds.), Artificial Intelligence for Fashion Industry in the Big Data Era, Singapur, Springer, 2018, 211-244. https://revistas.uexternado.edu.co/index.php/derpri/article/download/7932/12418 https://revistas.uexternado.edu.co/index.php/derpri/article/download/7932/12419 https://revistas.uexternado.edu.co/index.php/derpri/article/download/7932/12420 info:eu-repo/semantics/article http://purl.org/coar/resource_type/c_6501 http://purl.org/redcol/resource_type/ARTREF info:eu-repo/semantics/publishedVersion http://purl.org/coar/version/c_970fb48d4fbd8a85 info:eu-repo/semantics/openAccess http://purl.org/coar/access_right/c_abf2 Text Publication |
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UNIVERSIDAD EXTERNADO DE COLOMBIA |
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Revista de Derecho Privado |
| title |
Entre el derecho y los sistemas creativos: una nueva dimensión del diseño de moda por medio de la inteligencia artificial |
| spellingShingle |
Entre el derecho y los sistemas creativos: una nueva dimensión del diseño de moda por medio de la inteligencia artificial Chávez Valdivia , Ana Karin creative systems, artificial intelligence, fashion designs, intellectual property sistemas creativos, inteligencia artificial, diseños de moda, propiedad intelectual |
| title_short |
Entre el derecho y los sistemas creativos: una nueva dimensión del diseño de moda por medio de la inteligencia artificial |
| title_full |
Entre el derecho y los sistemas creativos: una nueva dimensión del diseño de moda por medio de la inteligencia artificial |
| title_fullStr |
Entre el derecho y los sistemas creativos: una nueva dimensión del diseño de moda por medio de la inteligencia artificial |
| title_full_unstemmed |
Entre el derecho y los sistemas creativos: una nueva dimensión del diseño de moda por medio de la inteligencia artificial |
| title_sort |
entre el derecho y los sistemas creativos: una nueva dimensión del diseño de moda por medio de la inteligencia artificial |
| title_eng |
Between Law and Creative Systems: Resizing Fashion Design through Artificial Intelligence |
| description |
La creatividad siempre se ha atribuido al ser humano como una cierta clase de cualidad innata; sin embargo, aún no existe consenso general sobre lo que este término significa realmente; en este sentido, nada impediría que pueda ser considerada una atribución contextualista. De otro lado, el estado actual del desarrollo tecnológico ha dado lugar a diversos cuestionamientos en torno a la posibilidad de que un sistema pueda ser creativo; por esto, la creciente intersección entre el diseño y la inteligencia artificial implicará múltiples desafíos legales que la propiedad intelectual deberá abordar.
|
| description_eng |
Creativity has always been attributed to human being as a certain kind of innate quality; however, until now there is no general consensus on what this term really means. In this sense, nothing would prevent it from being considered a contextualist attribution. On the other hand, the current state of technological development has led to several questions about the possibility that any system could be creative; as regards the significant development of the growing intersection produced between design and artificial intelligence will imply multiple legal challenges that intellectual property must address.
|
| author |
Chávez Valdivia , Ana Karin |
| author_facet |
Chávez Valdivia , Ana Karin |
| topic |
creative systems, artificial intelligence, fashion designs, intellectual property sistemas creativos, inteligencia artificial, diseños de moda, propiedad intelectual |
| topic_facet |
creative systems, artificial intelligence, fashion designs, intellectual property sistemas creativos, inteligencia artificial, diseños de moda, propiedad intelectual |
| topicspa_str_mv |
sistemas creativos, inteligencia artificial, diseños de moda, propiedad intelectual |
| citationissue |
43 |
| citationedition |
Núm. 43 , Año 2022 : Julio-Diciembre |
| publisher |
Departamento de Derecho Civil |
| ispartofjournal |
Revista de Derecho Privado |
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https://revistas.uexternado.edu.co/index.php/derpri/article/view/7932 |
| language |
spa |
| format |
Article |
| rights |
http://creativecommons.org/licenses/by-nc-sa/4.0 Ana Karin Chávez Valdivia - 2022 Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial-CompartirIgual 4.0. info:eu-repo/semantics/openAccess http://purl.org/coar/access_right/c_abf2 |
| references |
Besold, T., Schorlemmer, M. y Smaill, A., “Introduction”, en Besold, T., Schorlemmer, M. y Smaill, A. (eds.), Computational Creativity Research: Towards Creative Machines, Paris, Atlantis, 2015, xix-xxii. Boden, M., “Creativity in Nutshell”, Think, vol. 5, n.º 15, Universidad de Cambridge, 2007, 83-95. Boden, M., Creativity and Art, Oxford, Universidad de Oxford, 2011. Boden, M., “Foreword”, en Besold, T., Schorlemmer, M. y Smaill, A. (eds.), Computational Creativity Research: Towards Creative Machines, Paris, Atlantis, 2015, v-xi. Boden, M., Its nature and future AI, Oxford, Universidad de Oxford, 2016. Brown, D., “Computational Artistic Creativity and Its Evaluation” [en línea], Computational Creativity: An Interdisciplinary Approach, 2009, disponible en https://pdfs.semanticscholar.org/18b3/03e07a7d9566e7f7f58daf0065c18739aa9b.pdf?_ga=2.133313734.939640743.1595361260-1189342948.1591998815 [consultado el 13 de mayo de 2020]. Cardoso, A., Veale, T. y Wiggins, G., “Converging on the Divergent: The History (and Future) of the International Joint Workshops in Computational Creativity”, AI Magazine, vol. 30, n.º 3, 2009. Colton, S., “Creativity Versus the Perception of Creativity in Computational Systems” [en línea], aaai Spring Symposium: Creative Intelligent Systems, 2008, 1, disponible en https://www.semanticscholar.org/paper/Creativity-Versus-the-Perception-of-Creativity-in-Colton/a2eab9219192b14f5019e346566668bf4986f591 [consultado el 10 de abril de 2020]. Colton, S., Pease, A., Corneli, J., Cook, M., Hepworth, R. y Ventura, D., “Stakeholder Groups in Computational Creativity Research and Practice”, en Besold, T., Schorlemmer, M. y Smaill, A. (eds.), Computational Creativity Research: Towards Creative Machines, Paris, Atlantis, 2015, 3-36. Csikszentmihalyi, M., Creativity: Flow and the Psychology of Discovery and Invention, Nueva York, Harper Perennial, 1996. Franke, N. y Piller, F., “Value Creation by Toolkits for User Innovation and Design: The case of the Watch Market”, en Journal of Product Innovation Management, vol. 21, n.º 6, 2004, 401-415. Goel, A., “Computational Design, Analogy, and Creativity”, en Veale, T. y Cardoso, A. (eds.), Computational Creativity: The Philosophy and Engineering of Autonomously Creative Systems, Cham, Springer, 2019, 141-158. Guadamuz, A., “La inteligencia artificial y el derecho de autor”, ompi Revista, n.º 5, 2017, 14-19. Hoff mann-Riem, W., “Artificial Intelligence as a Challenge for Law and Regulation”, en Wischmeyer, T. y Rademacher, T. (eds.), Regulating Artificial Intelligence, Cham, Springer, 2020, 1-32. Ihalainen, J., “Computer creativity: Artificial intelligence and copyright”, Journal of Intellectual Property Law & Practice, vol. 13, n.º 9, 724-728. Jelil, R., “Review of Artificial Intelligence Applications in Garment Manufacturing”, en Thomassey, S. y Zeng, X. (eds.), Artificial Intelligence for Fashion Industry in the Big Data Era, Singapur, Springer, 2018, 97-124. Jordanous, A., “A Standardised Procedure for Evaluating Creative Systems: Computational Creativity Evaluation Based on what it is to be Creative”, Cognitive Computation, vol. 4, 2012, 246-279. Kaplan, J., Artificial Intelligence: What Everyone Needs To Know, Oxford, Universidad de Oxford, 2017. Lakoff, G., “Why it Matters How We Frame the Environment”, en Environmental Communication, vol. 4, n.º 1, 2010, 70-81. Lampel, J. y Mintzberg, H., “Customizing Customization”, en Sloan Management Review, vol. 38, n.º 1, 1996, 21-30. Latour, B., How to follow scientist and engineers through society, Massachusetts, Universidad de Harvard, 1987. Lu, H., Chen, Y. y Du, J. “An Interactive System Based on Kansei Engineering to Support Clothing Design Process”, en Research Journal of Applied Sciences, Engineering and Technology, vol. 6, n.º 24, 2013, 4531-4535. Luce, L., Artificial Intelligence for Fashion: How AI is Revolutionizing the Fashion Industry, San Francisco, Apress, 2019. Mainzer, K., Artificial Intelligence – When do Machines take over?, Berlin, Springer, 2019. Mok, P., Xu, J., Wang, X., Fan, J., Kwok, Y. y Xin, J., “An iga-based design support system for realistic and practical fashion designs”, en Computer-Aided Design, vol. 45, n.º 11, 2013, 1442-1458. ompi, Guía del Convenio de Berna para la Protección de Obras Literarias y Artísticas (Acta de Paris, 1971), Ginebra, ompi, 1978. Pease, A. y Colton, S., “On impact and evaluation in Computational Creativity: a discussion of the Turing Test and an alternative proposal” [en línea], Proceedings of aisb ‘11, 2011, 1, disponible en https://aisb.org.uk/convention-proceedings/ [consultado el 15 de abril de 2020]. Rademacher, T. y Wischmeyer, T., “Preface: Good Artificial Intelligence”, en Regulating Artificial Intelligence, Cham, Springer, 2020, v-ix. Raustiala, K. y Sprigman, C., “The Piracy Paradox: innovation and intellectual property in fashion design”, en Kresajla, B. (ed.), Anuario Andino de Derechos Intelectuales, t. iii, Lima, Palestra, 2007, 339-412. Ritchie, G., “Assessing Creativity” [en línea], Proceedings of the aisb’01 Symposium on Artificial Intelligence and Creativity in Arts and Science, 2001, disponible en http://citeseerx.ist.psu.edu/viewdoc/citations;jsessionid=80D415146453C762977D3dec2ecb1F25?doi=10.1.1.102.9689 [consultado el 12 de abril de 2020]. Ritchie, G., “Some Empirical Criteria for Attributing Creativity to a Computer Program”, Minds and Machines, vol. 17, 2007, 67-99. Salas, P., “La industria de la moda a la luz de la propiedad intelectual”, La Propiedad Inmaterial, n.º 17, 2013, 145-161. Salas, P., “La moda y la propiedad intelectual”, en Bello, S. y Echevarría, P. (eds.), Derecho y Moda, Madrid, Marcial Pons, 2015, 53-72. Scafidi, S., “Intellectual Property and Fashion Design”, Intellectual Property and Information Wealth, vol. 1, n.º 115, 2006, 115-131. Searle, J., “A taxonomy of illocutionary acts”, en Gunderson, K. (ed.), Language, Mind, and Knowledge, Minnesota, Universidad de Minnesota, 1975, 350 y ss. Satanowsky, I., Derecho Intelectual, t. i, Buenos Aires, tea, 1954. Senanayake, M., Mixed Mass Production and Mass Customization: Best Practices for Apparel. Una tesis presentada a la Facultad de Posgrado de la Universidad Estatal de Carolina del Norte en cumplimiento parcial de los requisitos para obtener el Grado de Doctor en Filosofía, 2004. Shuyun, R., Chi-Leung, P. y Tsun-Ming, J., “AI - Based Fashion Sales Forecasting Methods in Big Data Era”, en Thomassey, S. y Zeng, X. (eds.), Artificial Intelligence for Fashion Industry in the Big Data Era, Singapur, Springer, 2018, 9-26. Tehrani, A. y Ahrens, D., “Enhanced Predictive Models for Purchasing in the Fashion Field by Applying Regression Trees Equipped with Ordinal Logistic Regression”, en Thomassey, S. y Zeng, X. (eds.), Artificial Intelligence for Fashion Industry in the Big Data Era, Singapur, Springer, 2018, 27-46. Thomassey, S. y Zeng, X., “Preface”, en Thomassey, S. y Zeng, X. (eds.), Artificial Intelligence for Fashion Industry in the Big Data Era, Singapur, Springer, 2018, v-vi. Turner, J., Robot Rules: Regulating Artificial Intelligence, Londres, Palgrave Macmillan, 2019. Ventura, D., “The computational creativity complex”, en Besold, T., Schorlemmer, M. y Smaill, A. (eds.), Computational Creativity Research: Towards Creative Machines, Paris, Atlantis, 2015, 65-92. Wang, L., Zeng, X., Koehl, L. y Chen, Y., “A Human Perception – Based Fashion Design Support System for Mass Customization”, en Sun, F., Li, T. y Li, H. (eds.), Knowledge Engineering and Management, Singapur, Springer, 2013, 543-555. Wiggins, G., “A preliminary framework for description, analysis and comparison of creative systems”, Knowledge – Based Systems, vol. 19, n.º 7, 2006, 449-458. Xue, Z., Zeng, X. y Koehl, L., “Artificial Intelligence Applied to Multisensory Studies of Textile Products”, en Thomassey, S. y Zeng, X. (eds.), Artificial Intelligence for Fashion Industry in the Big Data Era, Singapur, Springer, 2018, 211-244. |
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