Titulo:

Desafíos de la pedagogía vocal en la música comercial contemporánea
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Desde sus inicios, la pedagogía vocal de la música comercial contemporánea (término utilizado para referirse a la música popular, no lírica), se ha visto enfrentada a una serie de desafíos, dado a que inicialmente su canto fue enseñado de acuerdo con la técnica lírica, a pesar de contar con diferencias sustanciales en cuanto a la forma de emplear la voz, los recursos y registros vocales, propios de cada género musical, la amplificación externa, la formación y conocimientos necesarios para entrenar la voz, la evaluación y detección de problemas vocales, las herramientas pedagógicas necesarias para enseñar canto, entre otras distinciones. Lo anterior exige un replanteamiento de la pedagogía vocal y sus metodologías correspondientes para promo... Ver más

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collection Revista de Investigación e Innovación en Ciencias de la Salud
title Desafíos de la pedagogía vocal en la música comercial contemporánea
spellingShingle Desafíos de la pedagogía vocal en la música comercial contemporánea
Arce, Camila
pedagogía vocal
canto
música comercial contemporánea
pedagogía
entrenador vocal
cantante
desafíos
entrenamiento vocal
clase de canto
vocal pedagogy
voice
singing
contemporary commercial music
pedagogy
vocal coach
singer
challenges
voice training
voice lessons
title_short Desafíos de la pedagogía vocal en la música comercial contemporánea
title_full Desafíos de la pedagogía vocal en la música comercial contemporánea
title_fullStr Desafíos de la pedagogía vocal en la música comercial contemporánea
title_full_unstemmed Desafíos de la pedagogía vocal en la música comercial contemporánea
title_sort desafíos de la pedagogía vocal en la música comercial contemporánea
description Desde sus inicios, la pedagogía vocal de la música comercial contemporánea (término utilizado para referirse a la música popular, no lírica), se ha visto enfrentada a una serie de desafíos, dado a que inicialmente su canto fue enseñado de acuerdo con la técnica lírica, a pesar de contar con diferencias sustanciales en cuanto a la forma de emplear la voz, los recursos y registros vocales, propios de cada género musical, la amplificación externa, la formación y conocimientos necesarios para entrenar la voz, la evaluación y detección de problemas vocales, las herramientas pedagógicas necesarias para enseñar canto, entre otras distinciones. Lo anterior exige un replanteamiento de la pedagogía vocal y sus metodologías correspondientes para promover el aprendizaje de estudiantes de canto de música comercial contemporánea.
description_eng Contemporary commercial music vocal pedagogy has faced a number of challenges. This term is used to refer to popular or "non-lyrical" music. From its beginnings, the singing of contemporary commercial music was related and was taught based on lyrical technique, despite having substantial differences in the way of using the voice, such as the use of vocal registers, external amplification, and vocal resources of each musical genre, among other distinctions. Other challenges mentioned will be the training and knowledge necessary to train the voice, the evaluation and detection of vocal problems, and the pedagogical tools necessary to teach singing are challenges. Due to the aforementioned, there must be a rethinking of vocal pedagogy and its corresponding methodologies to promote the learning of contemporary commercial music singing students.
author Arce, Camila
author_facet Arce, Camila
topicspa_str_mv pedagogía vocal
canto
música comercial contemporánea
pedagogía
entrenador vocal
cantante
desafíos
entrenamiento vocal
clase de canto
topic pedagogía vocal
canto
música comercial contemporánea
pedagogía
entrenador vocal
cantante
desafíos
entrenamiento vocal
clase de canto
vocal pedagogy
voice
singing
contemporary commercial music
pedagogy
vocal coach
singer
challenges
voice training
voice lessons
topic_facet pedagogía vocal
canto
música comercial contemporánea
pedagogía
entrenador vocal
cantante
desafíos
entrenamiento vocal
clase de canto
vocal pedagogy
voice
singing
contemporary commercial music
pedagogy
vocal coach
singer
challenges
voice training
voice lessons
citationvolume 3
citationissue 2
publisher Fundación Universitaria María Cano
ispartofjournal Revista de Investigación e Innovación en Ciencias de la Salud
source https://riics.info/index.php/RCMC/article/view/75
language spa
format Article
rights https://creativecommons.org/licenses/by-nc-nd/4.0/deed.es
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
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references Weekly EM, Lovetri JL. Follow-up Contemporary Commercial Music (CCM) Survey: who's teaching what in nonclassical music. J Voice. 2009 May;23(3):367-375. Doi: https://doi.org/10.1016/j.jvoice.2007.10.012 2. American Academy Of Teachers Of Singing. In Support of Contemporary Commercial Music (Nonclassical) Voice Pedagogy. Journal of Singing. 2008; 65 (1):7–10. Available: https://n9.cl/agwbd 3. Bartlett, I., & Naismith, M. L. An Investigation of Contemporary Commercial Music Voice Pedagogy: A class of its own? Journal of Singing. 2020;76(3):273–280. Available: https://n9.cl/il7k8 4. Rooney, T. The Understanding of Contemporary Vocal Pedagogy and the Teaching Methods of Internationally Acclaimed Vocal Coaches. International Journal of Learning, Teaching and Educational Research. 2016;15(10):147–162. Available: https://www.ijlter.org/index.php/ijlter/article/view/762 5. LoVetri, J. Contemporary Commercial Music. J Voice. 2008;22(3):260–262. https://doi.org/10.1016/j.jvoice.2006.11.002 6. Ward, G. C., & Burns, K. Jazz: A History of America’s Music.1st ed. New York: Knopf; 2000. 7. Keskinen, A. K. Contemporary Commercial Music Education and Different Cultural Contexts. Vocal Pedagogy and Contemporary Commercial Music: Reflections on Higher Education Non-Classical Vocal Pedagogy in the United States and Finland. Published. 2013. Available: http://urn.fi/URN:NBN:fi-fe201306103898 8. Lockheart, P. A History of Early Microphone Singing, 1925–1939: American Mainstream Popular Singing at the Advent of Electronic Microphone Amplification. Popular Music and Society. 2003;26(3):367–385. Doi: https://doi.org/10.1080/0300776032000117003 9. Edwards, M., & Hoch, M. CCM versus Music Theater: A Comparison. Journal of Singing, Volume. 2018;75(2):183–190. Available: https://n9.cl/zs8lm 10. Edwin, R. From Classical to Pop: A Case Study. Journal of Singing. 2000;56(3):71–72. Available: https://n9.cl/9rir8 11. Gill, B. P., & Herbst, C. T. Voice pedagogy—what do we need? Logopedics Phoniatrics Vocology. 2015;41(4):168–173. Doi: https://doi.org/10.3109/14015439.2015.1079234 12. Mauléon-Stäheli, C. Arte y ciencia. Hacer y pensar la Pedagogía Vocal. Revista De Investigaciones En Técnica Vocal. 2015;1:78-87. Available: https://revistas.unlp.edu.ar/RITeV/article/view/2061 13. Stark, J. Bel Canto: A History of Vocal Pedagogy. 2nd ed. University of Toronto Press: Scholarly Publishing Division;2003. 14. LoVetri, J. The Necessity of Using Functional Training in the Independent Studio. Journal of Singing. 2013;70(1):79–86. Available: https://n9.cl/38ann 15. Rodríguez Marconi, D., Morales Cárdenas, C., Gaete Antilen, L., Garrido Ormeño, M., & Pardo Reyes, C. Level of physiological, anatomical and pathological knowledge of the singing voice on the part of professional and amateur singers. Revista CEFAC. 2018;20(5):621–631. https://doi.org/10.1590/1982-021620182054118 16. Titze, I., Riede, T., & Popolo, P. Nonlinear source–filter coupling in phonation: Vocal exercises. The Journal of the Acoustical Society of America. 2008;123(4):1902–1915. https://doi.org/10.1121/1.2832339 17. Garcia, M. Hints on Singing Translated from the French by Beata Garcia New & Revised. 2nd ed. E. Ascherberg & Co;1894. 18. Alessandroni, N. Pedagogía vocal contemporánea y profesionales prospectivos: hacia un modelo de diagnóstico en técnica vocal. Boletín de Arte. 2012b;13(13):72–76. Available: http://papelcosido.fba.unlp.edu.ar/ojs/index.php/boa/article/view/216 19. Henrich, N. Mirroring the voice from Garcia to the present day: Some insights into singing voice registers. Logopedics Phoniatrics Vocology. 2006;31(1):3–14. Doi: https://doi.org/10.1080/14015430500344844 20. Calvache, C., Guzman, M., Bobadilla, M., & Bortnem, C. Variation on Vocal Economy After Different Semi Occluded Vocal Tract Exercises in Subjects With Normal Voice and Dysphonia. Journal of Voice. 2020;34(4):582–589. Doi: https://doi.org/10.1016/j.jvoice.2019.01.007 21. Jackson-Menaldi, CA. La voz normal. 1 ed. Madrid: Panamericana; 2005. 22. Sergius Kagen. On Studying Singing. 1 ed. New York: Dover Publications Inc; 2009. 23. Acevedo, K., Guzmán, M. Efectos del entrenamiento respiratorio aislado en las variables respiratorias y vocales. Revista de Investigación e Innovación en Ciencias de la Salud. 2020; 2(2):56–69. https://doi.org/10.46634/riics.51 24. Titze, I. R., & Abbott, K. V. Vocology: The Science and Practice of Voice Habilitation. National Center for Voice and Speech. Compton Publishing Ltd; 2021 25. Bergan, C. Motor Learning Principles and Voice Pedagogy: Theory and Practice. Journal of Singing. 2010;66(4):457–468. 26. Guzmán, M. Principios de Aprendizaje Sensorio - Motor. Apuntes de Aprendizaje Módulo 8 Vocal Coach. 2019. Available: https://n9.cl/uyn0q
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spelling Desafíos de la pedagogía vocal en la música comercial contemporánea
Desafíos de la pedagogía vocal en la música comercial contemporánea
Desde sus inicios, la pedagogía vocal de la música comercial contemporánea (término utilizado para referirse a la música popular, no lírica), se ha visto enfrentada a una serie de desafíos, dado a que inicialmente su canto fue enseñado de acuerdo con la técnica lírica, a pesar de contar con diferencias sustanciales en cuanto a la forma de emplear la voz, los recursos y registros vocales, propios de cada género musical, la amplificación externa, la formación y conocimientos necesarios para entrenar la voz, la evaluación y detección de problemas vocales, las herramientas pedagógicas necesarias para enseñar canto, entre otras distinciones. Lo anterior exige un replanteamiento de la pedagogía vocal y sus metodologías correspondientes para promover el aprendizaje de estudiantes de canto de música comercial contemporánea.
Contemporary commercial music vocal pedagogy has faced a number of challenges. This term is used to refer to popular or "non-lyrical" music. From its beginnings, the singing of contemporary commercial music was related and was taught based on lyrical technique, despite having substantial differences in the way of using the voice, such as the use of vocal registers, external amplification, and vocal resources of each musical genre, among other distinctions. Other challenges mentioned will be the training and knowledge necessary to train the voice, the evaluation and detection of vocal problems, and the pedagogical tools necessary to teach singing are challenges. Due to the aforementioned, there must be a rethinking of vocal pedagogy and its corresponding methodologies to promote the learning of contemporary commercial music singing students.
Arce, Camila
pedagogía vocal
voz
canto
música comercial contemporánea
pedagogía
entrenador vocal
cantante
desafíos
entrenamiento vocal
clase de canto
vocal pedagogy
voice
singing
contemporary commercial music
pedagogy
vocal coach
singer
challenges
voice training
voice lessons
3
2
Artículo de revista
Journal article
2021-12-18T13:24:46Z
2021-12-18T13:24:46Z
2021-12-18
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Fundación Universitaria María Cano
Revista de Investigación e Innovación en Ciencias de la Salud
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spa
https://creativecommons.org/licenses/by-nc-nd/4.0/deed.es
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
119
127
Weekly EM, Lovetri JL. Follow-up Contemporary Commercial Music (CCM) Survey: who's teaching what in nonclassical music. J Voice. 2009 May;23(3):367-375. Doi: https://doi.org/10.1016/j.jvoice.2007.10.012 2. American Academy Of Teachers Of Singing. In Support of Contemporary Commercial Music (Nonclassical) Voice Pedagogy. Journal of Singing. 2008; 65 (1):7–10. Available: https://n9.cl/agwbd 3. Bartlett, I., & Naismith, M. L. An Investigation of Contemporary Commercial Music Voice Pedagogy: A class of its own? Journal of Singing. 2020;76(3):273–280. Available: https://n9.cl/il7k8 4. Rooney, T. The Understanding of Contemporary Vocal Pedagogy and the Teaching Methods of Internationally Acclaimed Vocal Coaches. International Journal of Learning, Teaching and Educational Research. 2016;15(10):147–162. Available: https://www.ijlter.org/index.php/ijlter/article/view/762 5. LoVetri, J. Contemporary Commercial Music. J Voice. 2008;22(3):260–262. https://doi.org/10.1016/j.jvoice.2006.11.002 6. Ward, G. C., & Burns, K. Jazz: A History of America’s Music.1st ed. New York: Knopf; 2000. 7. Keskinen, A. K. Contemporary Commercial Music Education and Different Cultural Contexts. Vocal Pedagogy and Contemporary Commercial Music: Reflections on Higher Education Non-Classical Vocal Pedagogy in the United States and Finland. Published. 2013. Available: http://urn.fi/URN:NBN:fi-fe201306103898 8. Lockheart, P. A History of Early Microphone Singing, 1925–1939: American Mainstream Popular Singing at the Advent of Electronic Microphone Amplification. Popular Music and Society. 2003;26(3):367–385. Doi: https://doi.org/10.1080/0300776032000117003 9. Edwards, M., & Hoch, M. CCM versus Music Theater: A Comparison. Journal of Singing, Volume. 2018;75(2):183–190. Available: https://n9.cl/zs8lm 10. Edwin, R. From Classical to Pop: A Case Study. Journal of Singing. 2000;56(3):71–72. Available: https://n9.cl/9rir8 11. Gill, B. P., & Herbst, C. T. Voice pedagogy—what do we need? Logopedics Phoniatrics Vocology. 2015;41(4):168–173. Doi: https://doi.org/10.3109/14015439.2015.1079234 12. Mauléon-Stäheli, C. Arte y ciencia. Hacer y pensar la Pedagogía Vocal. Revista De Investigaciones En Técnica Vocal. 2015;1:78-87. Available: https://revistas.unlp.edu.ar/RITeV/article/view/2061 13. Stark, J. Bel Canto: A History of Vocal Pedagogy. 2nd ed. University of Toronto Press: Scholarly Publishing Division;2003. 14. LoVetri, J. The Necessity of Using Functional Training in the Independent Studio. Journal of Singing. 2013;70(1):79–86. Available: https://n9.cl/38ann 15. Rodríguez Marconi, D., Morales Cárdenas, C., Gaete Antilen, L., Garrido Ormeño, M., & Pardo Reyes, C. Level of physiological, anatomical and pathological knowledge of the singing voice on the part of professional and amateur singers. Revista CEFAC. 2018;20(5):621–631. https://doi.org/10.1590/1982-021620182054118 16. Titze, I., Riede, T., & Popolo, P. Nonlinear source–filter coupling in phonation: Vocal exercises. The Journal of the Acoustical Society of America. 2008;123(4):1902–1915. https://doi.org/10.1121/1.2832339 17. Garcia, M. Hints on Singing Translated from the French by Beata Garcia New & Revised. 2nd ed. E. Ascherberg & Co;1894. 18. Alessandroni, N. Pedagogía vocal contemporánea y profesionales prospectivos: hacia un modelo de diagnóstico en técnica vocal. Boletín de Arte. 2012b;13(13):72–76. Available: http://papelcosido.fba.unlp.edu.ar/ojs/index.php/boa/article/view/216 19. Henrich, N. Mirroring the voice from Garcia to the present day: Some insights into singing voice registers. Logopedics Phoniatrics Vocology. 2006;31(1):3–14. Doi: https://doi.org/10.1080/14015430500344844 20. Calvache, C., Guzman, M., Bobadilla, M., & Bortnem, C. Variation on Vocal Economy After Different Semi Occluded Vocal Tract Exercises in Subjects With Normal Voice and Dysphonia. Journal of Voice. 2020;34(4):582–589. Doi: https://doi.org/10.1016/j.jvoice.2019.01.007 21. Jackson-Menaldi, CA. La voz normal. 1 ed. Madrid: Panamericana; 2005. 22. Sergius Kagen. On Studying Singing. 1 ed. New York: Dover Publications Inc; 2009. 23. Acevedo, K., Guzmán, M. Efectos del entrenamiento respiratorio aislado en las variables respiratorias y vocales. Revista de Investigación e Innovación en Ciencias de la Salud. 2020; 2(2):56–69. https://doi.org/10.46634/riics.51 24. Titze, I. R., & Abbott, K. V. Vocology: The Science and Practice of Voice Habilitation. National Center for Voice and Speech. Compton Publishing Ltd; 2021 25. Bergan, C. Motor Learning Principles and Voice Pedagogy: Theory and Practice. Journal of Singing. 2010;66(4):457–468. 26. Guzmán, M. Principios de Aprendizaje Sensorio - Motor. Apuntes de Aprendizaje Módulo 8 Vocal Coach. 2019. Available: https://n9.cl/uyn0q
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