Titulo:

Intervención fonoaudiológica en artistas
.

Sumario:

Hoy en día el conocimiento avanza a pasos agigantados. Cada vez hay más fonoaudiólogos en diversas áreas de la profesión. Llama la atención de muchos el área artística, pues es un área poco explorada y amplia. Este artículo tiene el objetivo de reflexionar sobre la intervención vocal en artistas (cantantes, actores y otros). Su implementación debe comprender una mirada completa de la persona: voz, fisiología, fisiopatología, emociones, rol, aspectos médicos, farmacológicos y características individuales. Esto promueve la adherencia de un profesional de la voz a su área de conocimiento y genera un espacio de sanidad, exploración y libertad artística en términos actuales, incluso en medio de una pandemia.

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Revista de Investigación e Innovación en Ciencias de la Salud - 2020

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spelling Intervención fonoaudiológica en artistas
Intervención fonoaudiológica en artistas
Hoy en día el conocimiento avanza a pasos agigantados. Cada vez hay más fonoaudiólogos en diversas áreas de la profesión. Llama la atención de muchos el área artística, pues es un área poco explorada y amplia. Este artículo tiene el objetivo de reflexionar sobre la intervención vocal en artistas (cantantes, actores y otros). Su implementación debe comprender una mirada completa de la persona: voz, fisiología, fisiopatología, emociones, rol, aspectos médicos, farmacológicos y características individuales. Esto promueve la adherencia de un profesional de la voz a su área de conocimiento y genera un espacio de sanidad, exploración y libertad artística en términos actuales, incluso en medio de una pandemia.
Nowadays the knowledge is advancing by leaps and bounds. The number of Speech Pathologists in different areas of the profession has increased. The artistic area calls the attention of many, because it is a hardly explored and wide area. This article aims to reflect on vocal intervention on artists (singers, actors and others). Its implementation should include a thorough overview of the person: voice, physiology, physiopathology, emotions, role, medical and pharmacological aspects and individual characteristics. This promotes the adhesion of a voice professional to their area of its own knowledge, thus allowing a space for healing, exploration and artistic freedom in current terms, even in the midst of a pandemic.
Inostroza-Moreno, Gonzalo
Zúñiga-Beñaldo, Ester
Terapia vocal
artistas
voz
identidad
adherencia
vocología
otorrinolaringología
fonoaudiología
cantantes
actores
foniatría
Voice therapy
artists
voice
identity
adherence
vocology
otorhinolaryngology
speech and language pathology
singers
actors
phoniatrics
2
2
Núm. 2 , Año 2020 : Vocology
Artículo de revista
Journal article
2020-12-28T00:00:00Z
2020-12-28T00:00:00Z
2020-12-28
application/pdf
application/xml
Fundación Universitaria María Cano
Revista de Investigación e Innovación en Ciencias de la Salud
2665-2056
https://riics.info/index.php/RCMC/article/view/35
10.46634/riics.35
https://doi.org/10.46634/riics.35
spa
https://creativecommons.org/licenses/by-nc-sa/4.0/
Revista de Investigación e Innovación en Ciencias de la Salud - 2020
83–92
83–92
Petty BE. Diagnosis and treatment for the professional singer. ASLHA. 2013 Mar;23(1):15-21. DOI: https://doi.org/10.1044/vvd23.1.15
Kitch J, Oates J. The perceptual features of vocal fatigue as self-reported by a group of actors and singers. J Voice. 1994 Sep;8(3):207-214. DOI: https://doi.org/10.1016/S0892-1997(05)80291-7
Risser R. Balancing the art and science of the singing voice. ASLHA. 2015 Nov;25(3):110-115. DOI: https://doi.org/10.1044/vvd25.3.110
Adessa M, Stadelman-Cohen T, Zipse L, Guarino AJ, Heaton JT. Factors affecting voice therapy completion in singers. J Voice. 2018 Sep;32(5):564-571. DOI: https://doi.org/10.1016/j.jvoice.2017.06.021
American Speech-Language-Hearing Association [Internet]. [lugar desconocido]: ASHA ad hoc joint committee with the national association of teachers of singing and the voice and speech trainers association; c1997-2020. The role of the speech-language pathologist, the teacher of singing, and the speaking voice trainer in voice habilitation [Technical Report]; 2005 [consultado el 3 de agosto de 2020]. Disponible en: https://www.asha.org/policy/TR2005-00147.htm
Muckala J. Voice rehabilitation and resilience work with the commercial singer: a concept piece. ASLHA. 2020 Feb;5(1):102-112. DOI: https://doi.org/10.1044/2019_PERSP-19-00074
Goulart BNG, Rocha JG, Chiari BM. Intervenção fonoaudiológica em grupo a cantores populares: estudo prospectivo controlado. J Soc Bras Fonoaudiol. 2012;24(1):7-18. DOI: https://doi.org/10.1590/S2179-64912012000100004
Amin E. Terapia vocal de cantantes: una reflexión sobre la práctica. Areté. 2018 Jul-Dic;20(2S):37S-44S. DOI: https://doi.org/10.33881/1657-2513.art.182S05
Montilla K. El twang: en el estill voice y en la técnica vocal completa. Areté. 2018;20:63S-67S. DOI: https://doi.org/10.33881/1657-2513.art.182S08
Bourne T, Kenny D. Vocal qualities in music theater voice: perceptions of expert pedagogues. J Voice. 2016;30(1):128.e1-128.e12. DOI: http://dx.doi.org/10.1016/j.jvoice.2015.03.008
Maxfield L, Manternach B. Perceptual differences between novice and professional music theater singers. J Voice. 2017;32(5):572-577. DOI: https://doi.org/10.1016/j.jvoice.2017.08.007
López García J. Protocolo de entrenamiento vocal fonoaudiológico para cantantes. Areté. 2019;19(2):61-74. DOI: https://doi.org/10.33881/1657-2513.art.19207
Bustos Sánchez, I. Abordaje holístico y potenciación del filtro vocal en alteraciones de la voz. Areté. 2018;18(2):55-64. DOI: https://doi.org/10.33881/1657-2513.art.18205
Azocar Fuentes MJ. Atención fonoaudiológica vocal a actores: la opción (o necesidad) de aportar en la promoción de su bienestar vocal-emocional. Areté 2018;20(2S):31S-36S. DOI:https://doi.org/10.33881/1657-2513.art.182S04
Sataloff R. Arts medicine: an overview for choir conductors. Choral Journal. 2008 Nov;49(5):24-33. Disponible en: https://www.jstor.org/stable/i23556962
Chen D, Singer RN. Self-regulation and cognitive strategies in sport participation. Int J Sport Psychol. 1992;23:277–300.
Sielska-Badurek E, Osuch-Wójcikiewicz E, Sobol M, Kazanecka E, Niemczyk K. Singers’ vocal function knowledge levels, sensorimotor self-awareness of vocal tract, and impact of functional voice rehabilitation on the vocal function knowledge and self-awareness of vocal tract. J Voice. 2017 Ene;31(1):122.e17-122.e24. DOI: http://dx.doi.org/10.1016/j.jvoice.2016.01.011
Saldías M, Guzman M, Sandoval G, Vergara C, Lizana J, Quezada C. Water resistance therapy as vocal warm-up method in contemporary commercial music singers. Folia Phoniatrica et Logopaedica. 2020 Mar;72(1):1-12. doi: https://doi.org/10.1159/000494722
Guzman M, Angulo M, Muñoz D, Mayerhoff R. Effect on long-term average spectrum of pop singers’ vocal warm-up with vocal function exercises. International Journal of Speech-Language Pathology, 2013;15(2):127–135. DOI: https://doi.org/10.3109/17549507.2012.702283
Saldías M, Guzman M, Miranda G, Laukkanen A. A computerized tomography study of vocal tract setting in hyperfunctional dysphonia and in belting. J Voice. 2019;33(4):412-419. DOI: https://doi.org/10.1016/j.jvoice.2018.02.001
Gopikishore P, Pushpavathi M. Outcomes of eclectic voice therapy program in the treatment of hyperfunctional voice disorders: a preliminary study. Glob J Oto 2017;8(2):555732. DOI: https://doi.org/10.19080/GJO.2017.08.555732
Thomas LB, Stemple JC. Voice therapy: does science support art? Communicative Disorders Review. 2007;1(1):49-77. Disponible en: https://www.researchgate.net/publication/284677065_voice_therapy_does_science_support_the_art
Thalen M, Sundberg J. Describing different styles of singing. a comparison of a female singer’s voice source in ‘‘classical’’, ‘‘pop’’, ‘‘jazz’’ and ‘‘blues’’. Log Phon Vocol. 2001;26(2):82-93. DOI: https://doi.org/10.1080/140154301753207458
Cantarella G, Barillari M, Lechien J, Pignataro L. The challenge of virtual voice therapy during the COVID-19 pandemic. J Voice. 2020 Jun. “en prensa”. DOI: https://doi.org/10.1016/j.jvoice.2020.06.015
Ohlstein JF, Garner J, Takashima M. Telemedicine in Otolaryngology in the COVID-19 Era: Initial Lessons Learned. The Laryngoscope. 2020 “en prensa” DOI: https://doi.org/10.1002/lary.29030
Lavinsky J, Kosugi EM, Baptistella E, Roithmann R, Dolci E, Ribeiro TK, et al. An update on COVID-19 for the otorhinolaryngologist - a Brazilian Association of Otolaryngology and Cervicofacial Surgery (ABORL-CCF) Position Statement. Braz J Otorhinolaryngol. 2020;86(3):273-280. DOI: https://doi.org/10.1016/j.bjorl.2020.04.002
Castillo-Allendes A, Contreras-Ruston F, Cantor L, Codino J, Guzman M, Malebran C, et al. Voice therapy in the context of the covid-19 pandemic; guidelines for clinical practice. J Voice. 2020 “en prensa” doi: https://doi.org/10.1016/j.jvoice.2020.08.001
https://riics.info/index.php/RCMC/article/download/35/72
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collection Revista de Investigación e Innovación en Ciencias de la Salud
title Intervención fonoaudiológica en artistas
spellingShingle Intervención fonoaudiológica en artistas
Inostroza-Moreno, Gonzalo
Zúñiga-Beñaldo, Ester
Terapia vocal
artistas
identidad
adherencia
vocología
otorrinolaringología
fonoaudiología
cantantes
actores
foniatría
Voice therapy
artists
voice
identity
adherence
vocology
otorhinolaryngology
speech and language pathology
singers
actors
phoniatrics
title_short Intervención fonoaudiológica en artistas
title_full Intervención fonoaudiológica en artistas
title_fullStr Intervención fonoaudiológica en artistas
title_full_unstemmed Intervención fonoaudiológica en artistas
title_sort intervención fonoaudiológica en artistas
description Hoy en día el conocimiento avanza a pasos agigantados. Cada vez hay más fonoaudiólogos en diversas áreas de la profesión. Llama la atención de muchos el área artística, pues es un área poco explorada y amplia. Este artículo tiene el objetivo de reflexionar sobre la intervención vocal en artistas (cantantes, actores y otros). Su implementación debe comprender una mirada completa de la persona: voz, fisiología, fisiopatología, emociones, rol, aspectos médicos, farmacológicos y características individuales. Esto promueve la adherencia de un profesional de la voz a su área de conocimiento y genera un espacio de sanidad, exploración y libertad artística en términos actuales, incluso en medio de una pandemia.
description_eng Nowadays the knowledge is advancing by leaps and bounds. The number of Speech Pathologists in different areas of the profession has increased. The artistic area calls the attention of many, because it is a hardly explored and wide area. This article aims to reflect on vocal intervention on artists (singers, actors and others). Its implementation should include a thorough overview of the person: voice, physiology, physiopathology, emotions, role, medical and pharmacological aspects and individual characteristics. This promotes the adhesion of a voice professional to their area of its own knowledge, thus allowing a space for healing, exploration and artistic freedom in current terms, even in the midst of a pandemic.
author Inostroza-Moreno, Gonzalo
Zúñiga-Beñaldo, Ester
author_facet Inostroza-Moreno, Gonzalo
Zúñiga-Beñaldo, Ester
topicspa_str_mv Terapia vocal
artistas
identidad
adherencia
vocología
otorrinolaringología
fonoaudiología
cantantes
actores
foniatría
topic Terapia vocal
artistas
identidad
adherencia
vocología
otorrinolaringología
fonoaudiología
cantantes
actores
foniatría
Voice therapy
artists
voice
identity
adherence
vocology
otorhinolaryngology
speech and language pathology
singers
actors
phoniatrics
topic_facet Terapia vocal
artistas
identidad
adherencia
vocología
otorrinolaringología
fonoaudiología
cantantes
actores
foniatría
Voice therapy
artists
voice
identity
adherence
vocology
otorhinolaryngology
speech and language pathology
singers
actors
phoniatrics
citationvolume 2
citationissue 2
citationedition Núm. 2 , Año 2020 : Vocology
publisher Fundación Universitaria María Cano
ispartofjournal Revista de Investigación e Innovación en Ciencias de la Salud
source https://riics.info/index.php/RCMC/article/view/35
language spa
format Article
rights https://creativecommons.org/licenses/by-nc-sa/4.0/
Revista de Investigación e Innovación en Ciencias de la Salud - 2020
info:eu-repo/semantics/openAccess
http://purl.org/coar/access_right/c_abf2
references Petty BE. Diagnosis and treatment for the professional singer. ASLHA. 2013 Mar;23(1):15-21. DOI: https://doi.org/10.1044/vvd23.1.15
Kitch J, Oates J. The perceptual features of vocal fatigue as self-reported by a group of actors and singers. J Voice. 1994 Sep;8(3):207-214. DOI: https://doi.org/10.1016/S0892-1997(05)80291-7
Risser R. Balancing the art and science of the singing voice. ASLHA. 2015 Nov;25(3):110-115. DOI: https://doi.org/10.1044/vvd25.3.110
Adessa M, Stadelman-Cohen T, Zipse L, Guarino AJ, Heaton JT. Factors affecting voice therapy completion in singers. J Voice. 2018 Sep;32(5):564-571. DOI: https://doi.org/10.1016/j.jvoice.2017.06.021
American Speech-Language-Hearing Association [Internet]. [lugar desconocido]: ASHA ad hoc joint committee with the national association of teachers of singing and the voice and speech trainers association; c1997-2020. The role of the speech-language pathologist, the teacher of singing, and the speaking voice trainer in voice habilitation [Technical Report]; 2005 [consultado el 3 de agosto de 2020]. Disponible en: https://www.asha.org/policy/TR2005-00147.htm
Muckala J. Voice rehabilitation and resilience work with the commercial singer: a concept piece. ASLHA. 2020 Feb;5(1):102-112. DOI: https://doi.org/10.1044/2019_PERSP-19-00074
Goulart BNG, Rocha JG, Chiari BM. Intervenção fonoaudiológica em grupo a cantores populares: estudo prospectivo controlado. J Soc Bras Fonoaudiol. 2012;24(1):7-18. DOI: https://doi.org/10.1590/S2179-64912012000100004
Amin E. Terapia vocal de cantantes: una reflexión sobre la práctica. Areté. 2018 Jul-Dic;20(2S):37S-44S. DOI: https://doi.org/10.33881/1657-2513.art.182S05
Montilla K. El twang: en el estill voice y en la técnica vocal completa. Areté. 2018;20:63S-67S. DOI: https://doi.org/10.33881/1657-2513.art.182S08
Bourne T, Kenny D. Vocal qualities in music theater voice: perceptions of expert pedagogues. J Voice. 2016;30(1):128.e1-128.e12. DOI: http://dx.doi.org/10.1016/j.jvoice.2015.03.008
Maxfield L, Manternach B. Perceptual differences between novice and professional music theater singers. J Voice. 2017;32(5):572-577. DOI: https://doi.org/10.1016/j.jvoice.2017.08.007
López García J. Protocolo de entrenamiento vocal fonoaudiológico para cantantes. Areté. 2019;19(2):61-74. DOI: https://doi.org/10.33881/1657-2513.art.19207
Bustos Sánchez, I. Abordaje holístico y potenciación del filtro vocal en alteraciones de la voz. Areté. 2018;18(2):55-64. DOI: https://doi.org/10.33881/1657-2513.art.18205
Azocar Fuentes MJ. Atención fonoaudiológica vocal a actores: la opción (o necesidad) de aportar en la promoción de su bienestar vocal-emocional. Areté 2018;20(2S):31S-36S. DOI:https://doi.org/10.33881/1657-2513.art.182S04
Sataloff R. Arts medicine: an overview for choir conductors. Choral Journal. 2008 Nov;49(5):24-33. Disponible en: https://www.jstor.org/stable/i23556962
Chen D, Singer RN. Self-regulation and cognitive strategies in sport participation. Int J Sport Psychol. 1992;23:277–300.
Sielska-Badurek E, Osuch-Wójcikiewicz E, Sobol M, Kazanecka E, Niemczyk K. Singers’ vocal function knowledge levels, sensorimotor self-awareness of vocal tract, and impact of functional voice rehabilitation on the vocal function knowledge and self-awareness of vocal tract. J Voice. 2017 Ene;31(1):122.e17-122.e24. DOI: http://dx.doi.org/10.1016/j.jvoice.2016.01.011
Saldías M, Guzman M, Sandoval G, Vergara C, Lizana J, Quezada C. Water resistance therapy as vocal warm-up method in contemporary commercial music singers. Folia Phoniatrica et Logopaedica. 2020 Mar;72(1):1-12. doi: https://doi.org/10.1159/000494722
Guzman M, Angulo M, Muñoz D, Mayerhoff R. Effect on long-term average spectrum of pop singers’ vocal warm-up with vocal function exercises. International Journal of Speech-Language Pathology, 2013;15(2):127–135. DOI: https://doi.org/10.3109/17549507.2012.702283
Saldías M, Guzman M, Miranda G, Laukkanen A. A computerized tomography study of vocal tract setting in hyperfunctional dysphonia and in belting. J Voice. 2019;33(4):412-419. DOI: https://doi.org/10.1016/j.jvoice.2018.02.001
Gopikishore P, Pushpavathi M. Outcomes of eclectic voice therapy program in the treatment of hyperfunctional voice disorders: a preliminary study. Glob J Oto 2017;8(2):555732. DOI: https://doi.org/10.19080/GJO.2017.08.555732
Thomas LB, Stemple JC. Voice therapy: does science support art? Communicative Disorders Review. 2007;1(1):49-77. Disponible en: https://www.researchgate.net/publication/284677065_voice_therapy_does_science_support_the_art
Thalen M, Sundberg J. Describing different styles of singing. a comparison of a female singer’s voice source in ‘‘classical’’, ‘‘pop’’, ‘‘jazz’’ and ‘‘blues’’. Log Phon Vocol. 2001;26(2):82-93. DOI: https://doi.org/10.1080/140154301753207458
Cantarella G, Barillari M, Lechien J, Pignataro L. The challenge of virtual voice therapy during the COVID-19 pandemic. J Voice. 2020 Jun. “en prensa”. DOI: https://doi.org/10.1016/j.jvoice.2020.06.015
Ohlstein JF, Garner J, Takashima M. Telemedicine in Otolaryngology in the COVID-19 Era: Initial Lessons Learned. The Laryngoscope. 2020 “en prensa” DOI: https://doi.org/10.1002/lary.29030
Lavinsky J, Kosugi EM, Baptistella E, Roithmann R, Dolci E, Ribeiro TK, et al. An update on COVID-19 for the otorhinolaryngologist - a Brazilian Association of Otolaryngology and Cervicofacial Surgery (ABORL-CCF) Position Statement. Braz J Otorhinolaryngol. 2020;86(3):273-280. DOI: https://doi.org/10.1016/j.bjorl.2020.04.002
Castillo-Allendes A, Contreras-Ruston F, Cantor L, Codino J, Guzman M, Malebran C, et al. Voice therapy in the context of the covid-19 pandemic; guidelines for clinical practice. J Voice. 2020 “en prensa” doi: https://doi.org/10.1016/j.jvoice.2020.08.001

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